This Friday, José Mota No News returns with a fresh installment packed with humor, parodies, and surprises that catch viewers off guard in the best possible way. The episode features Ricardo Castella and Grison, well known to audiences from La Revuelta, who bring a dynamic mix of physical comedy, hat tricks, and quick-witted improvisation. Their knack for prop comedy and precise, real-time stunts shows that what appears to be editing magic is actual skill and teamwork in motion. The pair don’t merely rely on past fame; they interact with the show’s momentum, feeding off the crowd and fellow guests in a way that elevates every moment. Between outrageous pratfalls, exaggerated gags, and sly callbacks, the segment promises a night full of energy and delighted gasps from the audience. The episode also serves up a playful spoof aimed at David Broncano’s late-night format, delivering a sharp, affectionate send-up that respects the original while lampooning its conventions. Throughout, the tone stays mischievous and warm, inviting viewers to enjoy a night where wit and timing feel like characters in their own right. In short, this edition aims to deliver energy, clever jokes, and a sense of communal misrule that makes audiences feel inside the joke rather than merely watching it unfold.
The footballer Fermín López also faces a curious challenge. Used to the controlled intensity of the pitch, he steps into a sketch where the protective line is not the back four but a trio of overzealous, comic security figures described by the hosts as the most cantankerous guards in the galaxy. The duo of José Mota and Florentino Fernández anchors the scene, and their chemistry is as much a weapon as the gag itself. López must navigate a sequence of escalating miscommunications, abrupt interruptions, and playful meddling, testing not only his composure but his sense of humor. The humor springs from the contrast between a serious athlete under pressure and the absurd authority figures who push him into improvised responses. It’s a reminder that the show’s humor thrives on spontaneity as much as setup, with the moment designed to leave the audience laughing at chaotic, good-natured chaos rather than at defensiveness. The segment exemplifies the show’s philosophy: comedy that feels earned comes from real interaction and quick, fearless play.
The night continues with the unmistakable humor of Federico de Juan and Javier Quero, who push the language into new territory with their Los Chunguitos–style play. Their routine blends nostalgia with contemporary wit, creating a bridge between generations that lands with both longtime fans and newer viewers. The duo delivers rapid-fire lines, clever wordplay, and affectionate caricatures that spark warmth and mischief in nearly equal measure. In Canas versus Panas, a fresh generational clash unfolds as Santiago Segura, Flo, and José Mota prepare to face off in a public, live duel before a receptive crowd. The energy is electric as veteran performers trade jokes with newer voices, turning the moment into a lively conversation across eras rather than a simple contest. The result is a night that celebrates humor’s unifying power, offering quick pivots from punchlines to parody and back again, all through a lens that values surprise and resonance for diverse audiences.
To understand the show’s current moment, it helps to recall that La Revuelta began its run on TVE with strong audience numbers and a competitive spirit against El Hormiguero. The program has enjoyed peaks and valleys, and recent weeks have shown some softer momentum. On Wednesday, March 12, it posted a historic low in audience share, recording 10.2 percent. That dip underscores the challenges facing live variety in a crowded media landscape, where streaming and social chatter fragment attention. Yet the producers stay focused on sharpening their sketches, booking standout guests, and nurturing the kind of chaotic energy that keeps viewers talking long after the credits roll. Observers say the show’s future will hinge on bold guests and memorable moments that can regain momentum with both loyal viewers and newcomers. The ratings data cited here comes from TVE audience measurements and is used to inform ongoing adjustments as the season progresses.