this new teacher’s third movie terrorAmerican Jordan Peele heads up the weekend billboard premieres with the third and final episode of the box office In 2014, ‘Oh my God, what have we done to you?’ French comic book epic..
Jordan Peele’s new nightmare NOP
the Oscar winner for Best Original Screenplay brings a fresh dystopian vision. in this new film, the inhabitants of a lonely California valley confront a chilling discovery that tests loyalty, courage, and the thin line between awe and fear. the narrative blends suspense with social commentary, inviting audiences to question what they would endure in a world that seems to be unraveling around them. as with Peele’s prior work, the atmosphere is thick, the stakes personal, and the twists are crafted to linger long after the credits roll. (citation: Universal Pictures)
the film premiered in Spain alongside a star-studded cast, including Daniel Kaluuya, Keke Palmer, and Steven Yeun. after a powerful US debut grossing 44 million dollars, it marked the strongest opening for an original feature since 2019, underscoring the project’s broad appeal and intense anticipation among viewers and critics alike. (citation: Universal Pictures)
A blockbuster comedy epic
the original film, released in 2014 with the question, “Oh my God, what have we done to you?”, became a box office phenomenon across Europe. it attracted more than 12 million viewers in France and exceeded 1.3 million admissions in Spain, demonstrating a remarkable resonance with diverse audiences. (citation: distribution records)
the latest chapter in the franchise continues the tone of sharp social satire. the third and final installment, titled “God, what have you done to us?” centers on the same family unit from previous films, with Christian Clavier and Chantal Lauby reprising their roles as the family’s leaders. the narrative unfolds against a backdrop of a milestone anniversary—an occasion that brings together the clan for a celebration that exposes generational tensions, long-held secrets, and the stubborn grip of tradition on modern life. (citation: production notes)
Scandinavian black comedy
Norway’s Hallvar Witzo makes his feature debut with a darkly comic tale titled Everybody Hates Johan. the film mixes dry humor with a macabre premise drawn from the idea of a funeral that spirals into chaos. it earned recognition at Cannes for a short work and has since been acclaimed for its offbeat energy and fearless storytelling. the plot follows a peculiar figure who navigates small-town norms while confronting a surprise that flips the usual grieving process on its head. the result is a film that triumphs on wit, timing, and an unflinching look at human quirks. (citation: Cannes archive)
johan is a quirky misfit from a Norwegian village who was orphaned early and has an unusual fixation on fireworks. his antics, combined with a misguided pursuit of affection for his neighbor Solvor, create a sequence of misadventures that mix tenderness with peril, inviting viewers to reflect on the thin line between mischief and danger. (citation: festival notes)
Chasing the American dream
colombian filmmaker Harold Trompetero writes and directs a comedy that delves into the immigrant experience in the United States. the story centers on Armando Pulido, portrayed by Carlos Hurtado, a builder who leaves Colombia amid a harsh economic crisis to pursue the elusive American dream in New York City. the film uses humor and heartfelt drama to explore resilience, adaptation, and the sometimes volatile relationship between aspiration and reality. (citation: filmography briefs)
through Armando’s choices and the challenges he faces, the audience sees a portrait of ambition set against a backdrop of urban opportunity and personal sacrifice. the narrative emphasizes how hope drives people to leave familiar ground, how communities adapt in a new land, and how the dream can transform in unexpected ways under pressure from both economic forces and cultural adjustment. (citation: festival journals)