In a conversation about her work, the actor reflects on the character she portrayed as a strict teacher at a Pskov school in the film I’m taking a step. When asked about the hero, she emphasizes that there is little in common between them. Her own approach to life and relationships resists easy categorization. She explains that she does not seek validation from others, does not try to prove herself, and maintains a steady sense of self that isn’t shaped by external judgments.
The discussion turns to the collaboration with non-professional young actors who participated in the shoot. The performer notes that working with first-timers was not overwhelming, and there is no doubt that the creative process could inspire someone to pursue acting in the future. She credits the casting director, Olga Akatieva, for assembling a team that felt right for the project.
When asked about previous collaborations with director Olga Akatieva, the actor describes a very comfortable working relationship. She notes that the director values her team and creates an atmosphere of respect and collaboration on set, which makes the experience rewarding for everyone involved.
Regarding gender dynamics in directing, she shares that she does not perceive a difference based on the director’s gender. What matters most is professionalism, dedication, passion, and talent, all of which she believes are present or absent independent of gender.
On the long history of school-centered cinema, she reflects on two films that left a strong impression: We’ll Live Until Monday and Dead Poets Society. These works resonate with her for their portrayal of school life and the complexities of growing up within that setting.
Asked about a wider range of roles, including doctors, police officers, cleaners, and a businesswoman, she expresses enthusiasm for exploring any profession as long as the storytelling is strong and the characters are written with depth. She mentions an interest in trying a historical drama and a musical to broaden her horizons and test new horizons in performance.
Her career includes project work with international directors, such as Nureyev, The White Raven by Ralph Fiennes, and The Last Roll by William Kaufman. When asked about Hollywood ambitions, she speaks positively about any meaningful opportunity. She highlights that while the process in film production has become more structured over time, the core aim remains the same: to craft careful, well-prepared productions. She notes that today’s shoots often run more smoothly than in previous years, with meticulous planning, abundant costume and prop copies, and precise workshop work ensuring fewer risks on set.
The discussion touches on family life, as she recently welcomed a second child in March. She acknowledges the joys of motherhood, noting that her older child, Gaspar, sometimes experiences a touch of jealousy, though without aggression. She makes an effort to balance attention between the children and her career, trusting that she is managing this balance successfully for now. As for the new baby, the child’s temperament remains early to describe, but sleep has improved the household routine.
When asked about the baby’s name, she reveals that the daughter is named Samira. The interview also notes her quick return to public life, visible again at a premiere for the second season of Food Block and at an appearance at Bitter Fest. She attributes her rapid recovery to a combination of consistent yoga during pregnancy and a deliberate, steady return to physical conditioning after birth. Her approach to nutrition—avoiding extreme restrictions while not overeating—helped her regain strength and energy in a measured way. She rejoined the gym two months after birth, focusing on strength training and mindful eating to support her routines.
On the subject of parental guilt—a common feeling among working mothers—she candidly shares that the moment she stops tallying endless tasks, the guilt fades. She strives to maintain a balance between work and family, and she dedicates the majority of her scarce free time to herself, recognizing that personal well-being ultimately supports her roles both on screen and at home. A steady sense of equilibrium helps her navigate the demands of parenting two young children while continuing to pursue demanding acting projects.