Yuri Stoyanov and Gleb Kalyuzhny have become the prominent faces of the September issue of Dog magazine, with the magazine unveiling the cover and inside photos in a stylish, matter‑of‑fact way. The collaboration marks a notable moment for the publication, signaling a blend of seasoned presence and contemporary charm within its pages.
In front of the camera, the two actors appeared in pared‑down, elegant ensembles. Classic coats, tailored suits, waistcoats, along with casual denim and even skirts, created a mosaic of textures and silhouettes that spoke to both timeless style and a contemporary edge. The visuals playfully push boundaries, featuring moments where they interact with props such as a cactus on sticks, flowers held delicately in their hands, and a playful, almost tactile moment when they rub. The styling was handled by Daria Pashina and the photography captured by Valentin Bloch, delivering a look that is polished yet observant of streetwise charm.
Stoyanov offered a candid reflection on his career and the changing audience: young viewers have increasingly gravitated toward performers who crossed generations, including those over 60. He described this shift as a personal virtue and a sign of mutual interest rather than a one‑sided chase. He noted his willingness to attend shows with younger generations, even when the attendance was selective, and insisted he did not chase trends for their own sake. He also commented on the reach of his online presence, noting that videos featuring him on YouTube have repeatedly drawn millions of views, which he considers a source of satisfaction and validation. His words underscore a belief in intergenerational exchange and the value of staying engaged with new formats and audiences.
The magazine’s timing for the shoot was coordinated with the release of a new comedy titled Trepachi. The film’s premise centers on a man from a provincial background who relocates to Moscow to chase a dream of becoming a celebrated stand‑up comedian. The story follows his experiences as he secures a room in the city and shares it with a curmudgeonly older man, Vyacheslav Sokolov. As the plot unfolds, it becomes clear that Sokolov is a former comedian who is not afraid to step back onto the stage, bringing a blend of wisdom and grit to the narrative.
Earlier appearances show Stoyanov in diverse roles, including a nanny in the TV series Artist, illustrating his versatility and comfort with characters that span different tones and genres. This breadth of work informs the interview and shoot, presenting an actor who moves with ease across formats while maintaining a distinct screen presence.