A high-profile socialite who became famous for her courtroom headlines is presenting a new body of work created during a period of home confinement. The exhibition is being organized for art collectors and enthusiasts in a private residence in Miami, in collaboration with a contemporary New York gallery known as The Locker Room. Although the artist cannot attend in person, a live virtual presence will connect the show to visitors, allowing questions to be asked and answered in real time via Zoom. This arrangement lets collectors and fans engage with the artist’s process from afar, while still maintaining a direct line to the creator.
The show features acrylic-on-canvas paintings produced after a four-year prison sentence. An insider familiar with the project notes that one of the standout pieces, titled Prowling on Prada, has already fetched a price tag of $15,000. The works promise a candid window into the artist’s experiences and reflections during the period of restriction, offering viewers a chance to consider how confinement intersects with artistic improvisation and personal narrative.
In the official opening materials for the exhibition, the artist is described as continuing to explore new images and themes through painting, with a focus on texture, color, and the immediacy of brushwork. The description emphasizes that the new works arise from intimate, hands-on practice, capturing moments of tension, observation, and transformation that emerged during the artist’s time away from public life.
Earlier coverage in a Canadian outlet noted that the project’s cover imagery and promotional materials highlighted the artist’s notoriety and the provocative nature of the narrative surrounding her. The current show, however, centers on the artwork itself, inviting viewers to assess the creative outcome independent of external headlines. The private Miami setting, coupled with a remote participation option, underscores a contemporary approach to gallery-going where accessibility and exclusivity sit side by side, allowing a wider audience to witness a personal expression shaped under restriction. The event is framed as both an art sale and a dialogic moment, inviting interpretation from collectors, critics, and curious observers alike. [Citation: Page Six]