It’s been a while since my show ‘We treat women very well’ and I keep thinking about the happy movie; So much so that, in a way, I fear that what I have in mind has little to do with what Clara Bilbao signed. What excites me right now is a mix of the two: ‘Evil Dead’ original, one screenplay Rafael Azcona, ‘The Hateful Eight’ and its corrosive cruelty Raymond Queneau (after all, he’s the author of the book on which Bilbao is based).
The problem is, since I still haven’t lost it completely, I remember the movie that happened before my eyes, and the truth is It didn’t look as amazing as my creation. during this time. Yes, it’s ugly to accuse a movie of not being what you wanted, I’m clear on that, but I don’t think I’m speaking only for myself when I make this assertion. The film struggles to find its tone, drifting and disappearing into a certain dull rhythm. when the material it is based on demands more power and spark. In reality, adapting Queneau’s novel must have been a very complex task: the original text, a joke at the expense of the period’s obsession with cheapness, It oscillates between a certain seriousness and some fun, with outrageous, absurd and risky moments, in addition to the explosive political reflections and iconoclastic sentiments that are the hallmark of the house. An important mixture Certainly.
It’s a shame it took so long for ‘We Treat Women Too Good’ to get the right pace and tone, because when it does A wholesome, weird and cool piece of work. And that’s because Carmen Machi, Having a magnetic and explosive front, a bloody bride He can do absolutely anything to get what he wants. It perfectly interprets the movie in my head. with a sassy, evil, crooked smile. What you will see, I insist and I’m sorry in advance, I don’t think it will be that much fun for you.