The screen they placed in Eugene Stadium (Oregon), where the World Athletics Championships are held, is huge. But even the spectators present won’t be able to see in detail what happened in each of the tests, as we’re following them from home. No less large or less defined.
And as soon as he learns how to look, he’s curious to observe the details and knows how to stand out in the subtexts, more than strictly sporty, it’s an outdoor, camera-in-the-air event that’s the hallmark of this World Cup. Seeing far more than the human eye can capture gives us at every moment the images possible since the new century. At least in the audio-visual field, it has made giant strides.
Out of the hundreds of notes they’d give for their poetry collection, essays, or summer stories (why isn’t anyone writing?), I choose a topic that shocks me. What a small ceremony the medals are hung on the winners of each test. As soon as they cross the finish line or finish the jumps, an assistant wears the medal around their neck. He instantly removed the silver obtained in the long jump (where Eusebio Cáceres was eighth), although some, like the Greek Mitiadis Tentoglou, were pissed off. The routine manner in which I take out my film festival accreditation when I leave a screening, or roll my mask into a ball and put it in my pocket as soon as I get off the city bus.
You only see the award ceremonies of other championships from time to time. The lack of paraphernalia seems to steal some of the trophy’s value. How many more stories will be left to tell?
Source: Informacion
