‘Suro’: Violent attachments that don’t want to be liquid

Michael Urrea takes us to a farm surrounded by cork oak forests to introduce ourselves.suro’ Many of the issues that preoccupy philosophy and sociology books today that criticize the postmodern drift. Elena mentally working and working to build a good site for the future; it tries to validate itself in that place that is out of place, far from its environment. independent child pretending to listen to Leiva all the time. they will have to live with the town’s neighbors, daily workers mushroom Y donkey while building for the future without looking too much at the present. nothing like island of seduction although the main goal is to put him to the test (although he does not show disease) and see if the fires that threaten to burn him when the north wind comes under control.

for liquid love of the bauman Remember a well-crafted movie about the tension between not wanting to give up on illusions and having to learn to rebuild with every new crack in the foundation: understanding and listening in an increasingly individualized world. On the sociological line, it also gives some ideas that exist in it. the suffering of Eros of the Byung Chul Han: How consumeristic do we need our relationships to be? How long can we “hold” to manage something our partner doesn’t want to manage? It’s better to say goodbye and turn the page, as if we were relating to the characters of the book and not the people. sims? And even worse, what to do with what your partner doesn’t want to manage or manage? “excompa” when you eat brown alone? they lived gornick published a few months ago end of love affair, a series of articles (25 years later) that the author of ‘Apegos feroces’ now presents to us in Spanish. These considerations add to those contributed by other authors. Eva Illouzon fluid relationships and romantic love: the quest for balance and reciprocity for women who have always suffered the most violent side of inequality.

Elena’s loneliness in the middle of the forest, trying to find the reason that brought her there, keeps you nervous throughout the movie: grabs and pulls the car. He stands paralyzed and does things to prove himself on hostile ground; You spend the whole movie waiting for Elena to offer to carry some of her backpack, which is infuriating (and maybe that’s the point). Urrea built a female character with whom many would identify herself, whose mental load goes beyond the screen, and who does whatever might seem like “the work of an absolutely hysterical woman” to the most conservative audience. It’s up to you to set the farm, the entire forest, or the relationship on fire, and the sentence that actually triggers the ending of the movie is as provocative and unexpected as any of the options. It is recommended to see it up to discuss it later.