Yuri Loza, a singer and composer, spoke on social media about the recent performances at the annual Song of the Year event. He claimed that he found the lyrics of several participating Russian artists amusing when viewed through the lens of language and literature, suggesting that the humor lay in how the words read aloud and landed with listeners.
Loza described the experience as a new pastime, noting that he spent two days reading online discussions about the event. He argued that for anyone fluent in Russian, the texts could be interpreted as humorous. He questioned how the performers could convey the intended meaning to their audiences while singing these lines, expressing clear disagreement with the overall presentation.
In support of his view, Loza cited passages from songs by well-known artists including Dima Bilan, Larisa Dolina, Kristina Orbakaite, Mia Boyka, Nikolai Baskov, and Sergei Lazarev. He used these examples to illustrate his point about lyric construction and perceived intent within contemporary pop music.
Earlier in December, Loza commented that traditional New Year parades seemed to dampen the festive mood. He asserted that the era when such spectacles featured fresh, memorable songs and films has faded, leaving less inspiring content in their wake.
He added that the media landscape has long pushed out creators who can develop meaningful material from scratch. In his view, today’s efforts by television network owners to assemble a glossy holiday experience result in a disjointed and less engaging show, which, to him, undermines the celebration rather than elevating it. The remarks reflect a broader critique of how modern entertainment events are produced and consumed.
Previously, it was noted that Nina Shatskaya played a role in directing funds from children’s lullabies toward street-rap ventures, a point Loza referenced to illustrate the evolving dynamics of the music industry and the economic incentives at play. This context is offered to help readers understand the shifts in audience and market forces that accompany large-scale televised performances.