The STS TV channel is reportedly preparing a continuation of the popular Russian series Voronins, this time under the working title Kostya-Vera. Filmmaking News on Telegram states that the project is being developed for the next television season and hints at a 13-episode first season with Arthur Romensky directing, known for his work on My mother will object.
Voronins is a notable Russian adaptation of the American sitcom Everybody Loves Raymond. The series ran in two distinct phases on STS: from November 16, 2009, through October 3, 2019, it aired as an original Russian production, spanning several seasons. After a 2021 decision by the production team to wrap the project, fans began speculating about a possible revival. In August, rumors resurfaced about a return to screens following social media activity from Ekaterina Volkova and pictures from a set featuring Georgy Dronov. The buzz suggested a renewed interest in continuing the family comedy universe, even as no official confirmation was issued at that time.
STS TV channel representatives issued clear denials regarding a new season. Their statements indicated that the recent images circulating online were connected to advertising shoots for the channel rather than a restart of the series. This kind of clarification is not unusual in the entertainment industry where set visits and promotional material can spark premature excitement among fans. The insistence on not confirming production keeps expectations in check while audiences wait for definitive news.
In the broader context, Voronins stands as a culturally significant entry in Russian television history. It marked a bold adaptation of a mainstream American format, reimagining familiar family dynamics for a regional audience while retaining the humor and family-centered storytelling that defined the original format. Over the years, the show developed its own character and cast chemistry, which contributed to its lasting appeal among viewers in Russia and neighboring markets. The idea of a continuation would thus carry both nostalgia and the potential for fresh narratives that align with contemporary family life, as seen through the lens of the German and American genre influences that inspired the project.
Observers note that any new season would need to balance respect for the original material with updates that reflect the current television landscape. If Kostya-Vera moves forward, it could explore modern family milestones, evolving social norms, and new humor touchpoints while preserving the warmth that fans associate with Voronins. The reliability of official announcements remains crucial for fans and industry watchers who track casting changes, production timelines, and network strategy. Until a formal statement is issued, the public should treat rumors as speculative and await confirmation from STS or its producing partners. The media cycle around potential revivals often includes a mix of tease, denial, and hopeful speculation, and Voronins fans have learned to temper expectations accordingly.
As of today, no concrete release date or episode slate has been announced for Kostya-Vera. The case illustrates how a beloved long-running series can resurface in public discourse, drawing renewed attention to its legacy while underscoring the importance of official communication in shaping audience anticipation. The channel remains the primary source for definitive information, with subsequent reports likely to clarify whether the project is truly moving from rumor to production stage. Fans continue to watch for any official word and to revisit past episodes that defined the show’s place in Russian television history. A new season would not only reintroduce familiar faces but could also invite a new generation of viewers to discover the family-centered comedy that helped cement the Voronins brand.
Source notes: Filmmaking News provided the initial rumor and timing details for Kostya-Vera. STS channel representatives offered explicit denials about filming a new season, emphasizing that recent imagery pertained to advertising work rather than production. Audience reactions and media coverage around this topic illustrate the enduring interest in Voronins and the broader potential for reboots within Russian television. The discussion continues as fans and industry insiders monitor official channels for future developments.