In a candid conversation with Audio Media, veteran singer Vladimir Presnyakov weighed in on the friction often seen between generations in the music industry. Critics, he noted, sometimes call younger colleagues by dismissive names like old farts, a label he rejects as disrespectful and unhelpful. Presnyakov framed the issue differently: admiration for real talent comes from a place of curiosity and generosity, not envy. He stated that he does not measure success by wealth alone and prefers to celebrate music that feels authentic, fresh, and infused with genuine emotion. For him, the heart of a song lies in truth and feeling rather than money-driven motives.
Expanding on his artistic philosophy, Presnyakov explained that a vocal performance should be rooted in sincerity. He does not align with the notion that any form of monetization should override creative integrity. Yet he also left room for collaboration, suggesting that a partnership could be possible with a contemporary artist only if the work respects boundaries and avoids gratuitous profanity. This stance underscores a broader belief in evolving artistic standards while maintaining a personal code of conduct on stage and in the studio.
Beyond his own comments, Presnyakov offered positive reflections on the evolving landscape shaped by social media personalities who transition from online identities to legitimate stages. He specifically referenced blogger Valya Carnival, praising the transformation he observed. According to his assessment, a young creator who grows into a more mature and poised artistic figure demonstrates a natural progression from adolescence to adult artistry. He described this change as an opportunity for the artist to showcase both talent and presence, and he framed it as part of a larger, celebratory arc in which personal growth reinforces creative credibility.
Historically, the music scene has seen collaborations and crossovers that propel certain groups to prominence. In his remarks, Presnyakov acknowledged earlier moments of popularity for groups like Artik&Asti and a duo known as The King and the Clown. He did not dwell on these as mere historical footnotes but rather as examples of how a combination of musical identity, public reception, and timing can elevate artists to broader audiences. The commentary reflects a nuanced understanding of how bands rise through a mix of catchy material, distinctive performance manners, and the willingness of listeners to embrace change. The emphasis is on the artist’s capacity to grow while remaining true to a core sound that resonates with audiences across generations.
In reflecting on the broader cultural context, the conversation touched on how the public perceives artistry in the current era. The balance between fame, artistic integrity, and personal branding is a delicate act that creators must navigate. Presnyakov’s perspective suggests a measured optimism: when artists speak from the heart and commit to high-quality craft, audiences respond with lasting respect. His emphasis on heartfelt singing, authentic expression, and mutual respect among peers provides a framework for evaluating contemporary performances and potential collaborations. The discussion also implicitly invites listeners to consider the relationship between artistry and the platforms that amplify it, reminding readers that music remains fundamentally about connection, emotion, and storytelling across borders and generations.