Vladimir Mashkov Nominates Gergiev as Co-Chair of Russian Theater Union

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The recent events within the Russian Union of Theater Employees have drawn attention to the leadership transition and the roles of prominent figures in Russian opera and stage arts. During a gathering reported by RIA News, actor Vladimir Mashkov, who serves as the artistic director of the Oleg Tabakov Theater, announced his nomination of conductor Valery Gergiev to share the duties of co-chairman. The nomination was framed as a move to bring together the artistic vision of the Mariinsky Theatre with the administrative experience needed to guide the union through a busy era of performance, festivals, and cultural outreach. Mashkov’s proposal reflected a belief that Gergiev’s long career and international stature could help elevate the union’s profile and influence across the national theater landscape. The official coverage confirmed that this proposal garnered significant support from delegates.

Following the announcement, the voting session proceeded with a clear show of backing for the idea of shared leadership. In the subsequent results, Valery Gergiev was elected as co-chairman of the Russian Union of Theater Employees, a role that complements his extensive experience in leading major institutions and shaping contemporary Russian stage productions.

Gergiev has held the position of artistic director and general director at the Mariinsky Theatre since 1988, a tenure marked by notable productions, international collaborations, and a commitment to both preserving tradition and expanding the ensemble’s global reach. In 2023, he took on the additional responsibility of general director at the Bolshoi Theatre, reflecting a broader influence over the country’s principal performing arts venues. His career has earned him high honors, including the title of People’s Artist of Russia in 1996. He has also been recognized with multiple prizes from the Russian State Prize and has received accolades from the President and the Government for his contributions to culture and education.

During the same session, the counting commission reported results from the election process: 176 delegates supported Mashkov, while 20 opposed the proposal, illustrating a decisive sentiment in favor of strengthening Mashkov’s leadership alongside Gergiev within the union’s framework. The office of chairman previously belonged to another veteran figure in the Russian theater world, Alexander Kalyagin, who led the union for nearly three decades, guiding a generation of actors, directors, and stage crews through changes in the industry and in government policy.

Beyond those leadership changes, the cultural conversation in Russia also touched on international collaborations and cross-cultural exchange. Notably, Italian actress Ornella Muti had recently shared remarks about her decision to visit Russia, contributing to a broader dialogue about artistic mobility and the role of international artists in Russia’s vibrant theater scene. Through these movements and appointments, the union appears poised to navigate the evolving landscape of Russian theater, balancing historical stewardship with a forward-looking agenda that embraces new collaborations, training opportunities, and the continued celebration of performance arts across the country.

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