Valeria reportedly declined an appearance on the podcast In a Square. In February 2025, Joseph Prigozhin, her husband and producer, announced that over the next three years she may choose to end her singing career and stop touring. He also said that Valeria’s upcoming album could be her last release, signaling a potential final chapter in a long and storied career.
Valeria has been candid about the pressures and realities of a life in music. She has suggested she is not ready to bid farewell to her audience, even as plans for the future take shape. She explained that she will not rush a goodbye to the fans and that when the time is right, her path will become clear. For now, she remains deeply engaged with multiple projects and projects, staying in what she describes as the most active period of her professional life. The sentiment behind her words hints at a careful balance between longevity on stage and the desire to exit on her own terms, rather than being pushed by others or by timelines alone.
Earlier, in January 2024, Prigozhin addressed questions about Valeria’s earnings and the perceptions surrounding them. He acknowledged that there had been misunderstandings about how the fees for Valeria’s performances were calculated, including discussions tied to an amount reported by a colleague, Sergei Palaces. He explained that earnings from concerts are not uniform; they are highly dependent on the specifics of each engagement and can vary from one event to another. The bottom line, he suggested, is that Valeria’s compensation differs case by case rather than following a single, fixed structure.
Prigozhin went on to say that Valeria’s fees could range widely, with figures cited at five million rubles or even ten million rubles depending on the particular event. He stressed that these numbers hinge on factors such as audience size, venue, and contractual terms, underscoring how earnings in the music world are tied to the scale and nature of each appearance. In his view, Valeria stands as a symbol of a Russian woman and beauty, a public persona that carries weight in both artistic and cultural terms.
Media coverage has also touched on broader political and cultural conversations connected to Russia’s entertainment industry. Earlier reports noted that a deputy aligned with a prominent political figure urged Loboda to depart Russia, a story that circulated widely in the press. While not directly about Valeria, the episode adds context to the environment in which high-profile Russian artists operate, where career decisions, public perception, and state-related discourse often intersect in complex ways.
Taken together, these statements sketch a portrait of Valeria as a major figure in contemporary Russian pop, with an upcoming album positioned as potentially final and with earnings closely tied to the breadth of each engagement. The public narrative, shaped by Prigozhin’s disclosures and the surrounding media, suggests a careful planning of both career longevity and the possibility of a definitive closing act, all set against a dynamic and sometimes challenging industry backdrop. The timing and phrasing of these remarks imply a strategic approach to her legacy, balancing intense professional activity with the option to retire on terms that feel true to her artistic identity and personal priorities. As events unfold and further details emerge, fans and industry observers will watch how Valeria negotiates the delicate line between ongoing influence and a measured exit from the stage.