In a recent discussion, Stanislav Yarushin teased his former colleague, Nastasya Samburskaya, about her decision not to join the filming of the sequel to the popular Russian series Univer. Earlier reports had suggested Samburskaya was open to returning, but only if the terms were attractive. This twist added a layer of intrigue as peers from the project teased Yarushin on social media and in media commentary from Channel Five.
On Yarushin’s social profiles, comments surfaced regarding his stance on participating in the continuation. With filming currently underway in Moscow for the anticipated episode, fans and industry observers are revisiting the dynamics of the cast. In a media appearance, Anna Khilkevich was asked about whether Yarushin missed Samburskaya, and he offered a candid response that reflected the evolving nature of long-running TV ensembles.
“I wouldn’t be bored without Samburskaya. It happened, that’s life. It’s not a big deal. I don’t care if she is or isn’t part of it. I believe no one is irreplaceable; there will always be someone new stepping into the role,” the actor stated, signaling a flexible view on the ensemble’s future.
Previously, Samburskaya explained her reluctance to join the Univer sequel due to monetary considerations. She indicated that her decision could shift if offers became financially compelling. At the same time, she noted that, after many years playing familiar characters, a fresh motivation—such as new opportunities or a different creative challenge—could influence her stance.
News about the filming of the new episode of the comedy series “University. 13 years later” was confirmed on July 26, 2023. The project is bringing back Vitaly Gogunsky, Stanislav Yarushin, Anna Khilkevich, Ararat Keshchyan, Alexander Martynov, and Ekaterina Molokhovskaya to reprise their roles, with new storyline elements and guest appearances.
Earlier, former actress Yulia Snigir commented on the situation while her spouse, Evgeny Tsyganov, joked about the casting discussions. The ongoing dialogue among cast members and fans illustrates how a long-running franchise can evolve, balancing nostalgia with new creative directions and financial realities. This moment underscores the careful negotiation between star power, story momentum, and practical considerations that shape modern television productions in Moscow and beyond.
Observers note that as streaming platforms and traditional networks compete for audience attention, sequels can hinge on a mix of ensemble chemistry, actor availability, and the commercial appeal of continued titles. The Univer franchise has long been a touchstone for many viewers, and the decision to bring back or replace core cast members often becomes a focal point for press coverage and fan forums alike. This ongoing conversation reflects the broader landscape of serialized entertainment where legacy characters meet fresh storytelling possibilities and evolving budgets.
In the broader context, the dynamics between cast members and decision-makers on such projects are influenced by scheduling, market demand, and the evolving expectations of viewers in Russia and neighboring markets. The situation surrounding Univer’s sequel offers a case study in how a beloved series navigates renewal, remuneration, and artistic direction while preserving its signature tone and fan base.