Showman Bari Alibasov Jr. opened up in a conversation with kp.ru, revealing a moment when he publicly challenged and joked about his father in front of two iconic figures, Alla Pugacheva and Vladimir Zhirinovsky. The recollection reads like a behind‑the‑scenes anecdote from a family saga that blends show business, audacity, and a touch of satire. It is described as a turning point in the younger Alibasov’s life, a test of nerve and a statement about the kind of spectacle his family had become known for across Russia’s entertainment scene.
According to his memory, the scene unfolded when his father was fifty‑five and Bari was still a teenager, barely out of adolescence. In a bold move that only a person with a performer’s instinct dares, the son walked up to his father and placed an unusual order. He wanted a cup shaped like a dildo, bearing the bold inscription “The most,” crafted as a quirky, provocative token meant to reflect the elder Alibasov’s larger‑than‑life status. The purchase price, allegedly four thousand rubles, underscores the performative nature of the moment rather than any practical need. The plan was to present this gift during a public moment, a chance for both generations and two heavyweight public figures to witness a family joke that felt like a declaration of the younger Alibasov’s view of greatness and legacy. In that hall, the attendance was remarkable and symbolic: Vladimir Volfovich Zhirinovsky and Alla Borisovna Pugacheva sat among the others, turning what could have been a private jab into a memorable, public spectacle. Bari Jr. later describes stepping onto the stage with the gift and announcing that his father had earned a particular title in what he called a personal tournament, a playful trophy ceremony that mixed reverence with irreverence and a little good‑humored mischief.
As the story goes, the gesture, though cheeky, was not meant to humiliate in a mean way. The elder Alibasov reportedly liked the gift, appreciating the humor and the boldness of the moment. Yet the producer present at the event felt a flicker of embarrassment on behalf of his star, a common tension in show business when someone tries to flirt with the line between homage and provocation. Bari Jr. explains that his father has always thrived on shocking the public, and that this incident offered him a rare glimpse of what his son imagined as a path forward. The younger showman says the exchange gave his father something close to hope—that perhaps the younger generation might carry a similar flame, continue pushing boundaries, and keep the family’s name at the forefront of splits, surprises, and sensational moments. At the same time, Bari reflects on a personal truth: his father never remembered birthdays well, and the pair likely never exchanged a gift in which the date actually mattered. The elder Alibasov’s response to the birthday question painted a picture of a man who prized personal milestones less than the story those milestones could tell, a truth that Bari finds both funny and telling about the man he admires and occasionally pretends to outshine.
In a lighter moment of the conversation, Bari Jr. recalls the playful exchange about age. He jokes that his father would say something along the lines of not wanting to remember how old he was because every year the number would change, and there would be a need to recount or reinterpret that change anew. The elder’s humor about age, memory, and personal milestones carried a warmth that softened the boldness of the earlier prank, leaving a memory of a father who loved a good story as much as a good show. Bari adds that his father always shared a personal example, using humor and a touch of swagger to illustrate his own philosophy of fame and family legacy. The takeaway for Bari is not simply a recollection of a prank but a glimpse into a family dynamic where showmanship and sentiment coexist, sometimes in tension, sometimes in harmony, always on display for the public eye.
Earlier remarks from Bari Alibasov had touched on other famous figures in his orbit, including Alla Pugacheva herself. He mentioned in another context that Pugacheva had a condescending attitude toward Rasputina, a statement that sparked conversations about how mega‑stars relate to one another, share opinions, and navigate the pressures of enduring fame. The broader narrative that emerges from these recollections is one of a family deeply enmeshed in the cultural life of Russia, where artistry, provocation, and personal history mingle in public spaces, often under intense scrutiny and with a performance‑capturing audience always ready to weigh in.