On her birthday, figure skater Alexandra Trusova shared a new video for the song Two Wings. The moment drew attention from fans and critics alike as discussions swirled around the performance and its presentation. The clip arrived amid expectation and curiosity about how the Olympic silver medalist would translate her renowned on-ice athleticism into a different artistic form.
In a dialogue with critic Sergei Sosedov, known for his candid takes, the reception of the video was a point of contention. He described the track as lacking depth and the overall piece as emotionally flat, arguing that the studio polish left the sound generic and the melodies indistinct. He observed that the recording emphasized technique and polish over expressive nuance, which to him overshadowed the emotional spark one might expect from a performance connected to Trusova’s public persona. Still, he acknowledged the striking contrast between the vocal track and Trusova’s unmistakable stage presence, noting that her on-ice charisma remains the focal point of attention whenever she is involved in a performance project.
As the analysis continued, Sosedov drew a visual comparison between Trusova’s stage image in the video and the style associated with MakSim, a popular contemporary singer. The observer pointed out a notable difference in hair color and length—Trusova’s dark red-brown tresses appeared longer, giving the impression of a distinctly different aesthetic than that of the pop artist. The focus of the critique stayed on how image and music interact, highlighting the tension between athletic precision and musical interpretation when a familiar sports figure steps into a broader entertainment realm.
The video initially surfaced on June 23 on the YouTube channel managed by producer Vadim Antonov, marking another entry in Trusova’s ongoing exploration of cross-genre collaboration. The release timing coincided with a period of heightened visibility for the skater as she pursued opportunities beyond competitive skating, inviting fans to assess how she navigates the intersection of sport, music, and media production. Viewers were encouraged to consider how such projects align with her established reputation for extraordinary jumps, speed, and technical prowess, while also testing the boundaries of her artistic expression beyond the rink.
Earlier commentary from another well-known figure in the sports-commentary sphere, Dmitry Guberniev, weighed in on the practical side of moving into show business. He suggested that success on a wider stage would likely require Trusova to broaden her vocal range and vocal technique, emphasizing that a strong vocal foundation could be instrumental in extending her reach in entertainment. The remarks underscored a common question among fans and analysts: can a top-tier skater translate a lifetime of athletic discipline into compelling performance across different media, or will the emphasis remain primarily on the ice where her talents are most vividly showcased?