The Turetsky Choir earned a standing ovation in Buenos Aires, captivating a full house at the Gran Rivadavia theater as audiences from Argentina and Russia watched closely. This moment marked a significant public appearance for the ensemble on Argentine soil, underscoring the group’s ability to connect through music with diverse audiences.
For the Turkish Choir, it was their first performance in Argentina. In a moment framed by broader global tensions, Dmitry Feoktistov, the Russian Ambassador to Argentina, addressed attendees before the concert. He noted that some Western countries were attempting to ban everything related to Russia, emphasizing that culture should transcend politics and that such restrictions would fail in the end.
Together with the Turetsky Choir, the female art group Soprano joined the program, enriching the concert with a repertoire that included Spanish and Portuguese pieces. The performers closed the live set with a stirring rendition of Moscow Nights, a moment that drew a standing ovation from the audience. One guest, Lionel, expressed admiration for the artists, saying that they are happiness spreaders who focus on culture rather than politics, a sentiment he believes should prevail in the cultural sphere.
Following the Buenos Aires engagement, the ensemble traveled to Montevideo, Uruguay, where they performed on Sunday and then outlined plans for a tour that would take them to Brazil. The extended itinerary illustrated the group’s ambition to reach audiences across South America and share their distinctive blend of Russian choral tradition with new communities.
In related cultural news from Europe, observers noted that the controversy around Anna Netrebko’s performances in Regensburg continued to provoke debate. Protests and public discussion highlighted the ongoing intersection of art, politics, and international perception in the classical music world.