— Tell us about the “This Is Us” sketch show. What is its core idea, and who stands out as heroes?
“This is a show about people, so it’s called This Is Us.” The premise resonates with many because most viewers recognize at least one scene or character from their own lives. The heroes span a wide spectrum: salespeople, cashiers, cinema workers, beloved wives, girlfriends, mothers, playful girls, and even supermodels. The sketches capture a range of ordinary lives with sharp, recognizable details.
— The description notes that the sketches depict situations “that anyone living in Russia might find themselves in.” Have you ever found yourself in any of these moments?
The work is primarily comedic, with deliberate exaggeration. Personal experience informs some scenes, but the material thrives on the boundless possibilities of the world. Yes, certain moments mirror real life, yet the humor leans into heightened scenarios to land its punchlines.
— Are these usually family or personal situations?
They vary widely, including family, personal, and household moments. The concept of Zhiza—a word that captures the show’s essence—guides the exploration of everyday life through a humorous lens.
— You have grown as a comedy actor over the years. Did you ever see yourself primarily as a performer in this genre?
When entering drama school, the goal was to reveal oneself across genres—through prose, poetry, and fairy tales. That early testing ground shaped a belief that comedy would be a core strength. The moment audiences laugh during a fairy-tale moment often confirms a performer’s path. Humor feels natural, and as life progresses, there’s a belief in keeping things light even under heavy pressures. That balance remains a guiding principle.
— Is it difficult to make audiences laugh?
Usually, laughter isn’t something forced. If one strives too hard to provoke it, the effect wanes. On the set of Univer, observation plays a big role: light, naive energy from fellow comedians helps create warmth and improvised humor, especially in ridiculous moments.
— Should a comedy actor aim to make the director or producer laugh?
One simply has to feel the joke and live it with timing. Trying to force the director or producer to laugh is not a focus, though a genuine, shared moment can emerge when the work clicks.
— Would you be interested in a serious TV series to showcase new facets of your acting?
Yes, absolutely. Last year’s Univer brought dramatic lines and deep character moments to the fore, even as it remained a comedy in name. Some viewers were surprised by the dramatic abilities displayed, which only reinforced a willingness to explore different kinds of roles; comedy remains a favorite, but drama has its own pull.
— Your big-screen debut came at sixteen with I Planned an Escape. How did you join the cast of that project?
Casting directors visited drama school, inviting promising students to audition. She arrived early, ready to work, and soon found herself in front of the camera. That early experience established a pattern of stepping forward when opportunities appeared.
— Was it challenging to act alongside seasoned actors?
At the start, not knowing many colleagues is common. Working with established actors offers real benefits: learning from their professionalism and energy helps elevate every scene, and their experience is a steady source of inspiration.
— Beyond TV and film, you’ve appeared on many programs and even competed on Survive in Dubai. Would you consider reality survival again if invited?
It’s possible, but timing matters. A single survival season can be demanding, and recovery time varies. The experience in Dubai proved particularly strenuous, taking months to regain footing, so future appearances would require careful balance with other commitments.
— There was a public remark about feeling tired of being a mother. Who, in your view, is a truly bad mother?
There’s no space for labeling anyone as bad. Children are perceptive, and a parent’s actions are shaped by many factors. The goal is always understanding, support, and involvement in both the child’s life and the parent’s own growth.
— What helps you find peace during stressful periods?
Stress can be overwhelming. When it peaks, time and emotional release help—crying can be part of the process. A routine supports resilience through sleep, good nutrition, and quiet, reflective activities like mindful walks.
— Is it ever acceptable to tell a child, “I’m tired of you”?
That kind of language is not acceptable. Children interpret parental moods through their own lens, and it’s important to protect their sense of security. Stress is a shared problem that adults must navigate thoughtfully.
— Turning to family life, there is a personal kindergarten. What inspired you to open it?
A lifelong love of children and a dream of teaching guided the decision. The idea matured in my twenties, and when personal circumstances allowed, it became a way to provide a safe, nurturing space with a humanistic approach. There’s also a desire to someday extend this concept to a full school setting, depending on time and energy.
— How did you approach preparing to open the kindergarten?
The process demanded seriousness. Books, psychology consultations, and the search for qualified staff shaped a plan that prioritizes a healthy, stimulating environment for children to grow and learn.
— Are there other projects in the works or already underway?
A six-month collaboration produced a homewares line launched in 2023. The collection features aroma diffusers, with scented candles planned for the near future. The process involved multiple focus groups to select scents and establish a brand philosophy that resonates with companions and customers. The team includes experts in herbs and runology, giving each scent a symbolic rune that can be activated during use. The aim is to bring relaxation, energy, and memorable moments into daily life.
— How has education in Marketing and Advertising at Plekhanov influenced acting?
The knowledge has a practical edge: marketing informs self-promotion and a clear voice as an actor. Acting blends creativity with strategic presentation, an essential balance in show business where talent meets messaging.
— There have been mentions of injectable cosmetic procedures. When did you first use Botox, and what guided those decisions?
The first Botox was at twenty-five, used to soften active facial expressions while balancing the artistry of performance. It’s important not to overdo it, since facial expression is a vital tool for an actor.
— Why do societies sometimes condemn cosmetic adjustments even as they push for self-improvement?
These times pose a paradox: the urge to be the best version of oneself coexists with a celebration of natural authenticity. The key is balance. Nutrition and exercise remain foundational, while cosmetic procedures act as a supplement rather than a substitute for a healthy lifestyle.
— How does she stay fit and balanced? Is there a preferred diet or routine?
Attention to daily eating habits matters. There are indulgent days, but overall the approach is healthy and intuitive. Meat is avoided by choice, though there are moments when it might be acceptable. Staples include grains such as pasta, rice, quinoa, and bulgur. Avoiding late meals helps with sleep, and regular physical activity supports overall well-being.