Pepón Montero and Juan Maidagan have once again demonstrated their mastery by translating humor into the most ordinary moments of daily life. The Spanish duo, known for stripping back the frills of everyday events, now returns with a fresh project that keeps their signature smile intact. Little Faith is the new comedy that debuts on Movistar Plus on Tuesday, July 4, and centers on a couple whose seemingly bland life hides the most amusing moments when least expected.
Described by its creators as a couple with modest goals and few passions, Little Faith plays with the idea that any life can become an adventure. The writers, also responsible for projects such as Just Before Christ and Those in the Tunnel, emphasize that life is full of small, relatable anxieties. The creators draw a parallel between the cinematic tension Indiana Jones might feel when surrounded by danger and the real, daily anxiety of finishing a task in someone else’s home only to discover the bathroom cistern is broken. The comparison underlines how pure, everyday situations can carry unexpected appeal and humor, a theme the series pursues with a light, playful touch.
The lead female character is Berta, a kindergarten teacher who breathes life into the role through the actress Hope Pedrano. Berta often feels overlooked and undervalued by those around her, yet she remains devoted to helping others and giving her best effort every day. The male lead, José Ramón, is a security guard portrayed with wit and warmth by Raúl Cimas, a familiar face in Spanish humor who has become known for his sharp, observational humor. The cast also includes other skilled comedians who contribute their own rhythm and energy to the show, elevating the overall tone with quick banter and clever misdirection.
One episode for each month of the year
The series follows a couple whose relationship has hit a rough patch, presenting twelve episodes of about fifteen minutes each, with one installment dedicated to each month of the year. This structure grants the show a rhythmic, seasonal cadence, while never losing sight of the ordinary life that fuels its humor. The performances are complemented by comedic devices, including a humorous sequence featuring a painting of Franco, used as a recurring visual gag that adds a playful edge without leaning into satire too harshly.
Pedreño, who previously collaborated with Montero and Maidagán on the successful Camera Café, returns to the project with the duo. The production is built on the premise that the characters perceive life in a deeply personal way, a trait that makes them rise above more conventional archetypes. The result is a cast of memorable personalities who leave a lasting impression, with audiences often feeling like they have met real people rather than fictional composites. The show invites viewers to reflect on how ordinary actions ripple outward and affect relationships and daily routines in surprising ways.
Enrique Pedreño notes that the humor emerges from the warmth of the characters and their ordinary struggles. The dynamic between Berta and José Ramón feels authentic, allowing the audience to see themselves in moments of frustration, tenderness, or simple, stubborn resolve. The chemistry among the performers helps to anchor the comedy in everyday truth, making the farcical moments land with a satisfying blend of empathy and laughter.
The narrative also explores the wider circles of family and neighbors who influence the couple’s life. Berta’s parents, Maria Jesus Hoyos and Juan Lombardero, appear as well-meaning but meddlesome relatives who are always considering one more dimension of the family dynamic. Julia de Castro is portrayed as a difficult presence, a character who adds friction to daily life in unpredictable ways. José Ramón’s mother, Marta Fernandez-Muro, stands out as a free-spirited figure with a hippie past, illustrating how differing generations and life choices shape the couple’s world. This extended cast of characters creates a lively ecosystem in which the couple navigates personal and social pressures with humor and resilience.
As if household complications and eccentric relatives were not enough, the couple also faces a neighbor whose romantic misadventures provide additional comic fuel. A talkative friend who seems unable to stay quiet even in unexpected circumstances, and a set of quirky coworkers, all contribute to the texture of the show. The humor remains rooted in the human side of the story, with the characters often remarking that the point of a scene lies in an honest, shared moment rather than in a flashy punchline. The result is a comedy that feels intimate, where the best jokes emerge from small, lived-in details rather than big, sensational set pieces.
In summary, Little Faith celebrates the ordinary with a bright, affectionate humor that invites viewers to laugh at the imperfect, everyday moments that define relationships. The combination of strong performances, clever writing, and a thoughtful approach to family and friendship helps the show stand out as a fresh and relatable entry in contemporary Spanish television. It offers a gentle, restorative kind of comedy that resonates with audiences who recognize themselves in the quiet struggles and small triumphs of a couple trying to hold onto happiness in a busy, sometimes merciless world.