Svetlana Svetikova shared a revealing memory in an interview with Yana Churikova about the moment she realized she was falling for Garik Kharlamov, when she was around 18 years old. The singer describes a scene that feels cinematic: a beauty who left a lasting impression, while Svetikova herself played a mermaid in a small film, and Kharlamov appeared as the brother of a girl facing a dramatic loss of voice. It was during that time, when Svetikova was 17 or 18, that their paths crossed for the first time. Garik immediately offered help and later saw her off, and a strong friendship formed from that initial contact. Over the years, their closeness grew, transforming casual conversations into something more intimate as life carried them to neighboring regions and eventually closer proximity. Svetikova notes that she never anticipated falling for him, even labeling him as someone she admired for his cool presence, with a hint of irony about their evolving dynamic. The slow burn of connection came from inside him his humor, kindness, and the way he treated her, which gradually drew her toward a deeper affection for his character. The story captures how a strong friendship can quietly blossom into love when two people share genuine warmth, mutual respect, and a sense of timing that makes everything feel inevitable in hindsight.
We learn how their ongoing dialogue kept the spark alive, turning friendly admiration into a meaningful bond that endured distance and the separations that come with evolving careers. Svetikova recalls being drawn not just to a public figure, but to the person behind the spotlight—the person who listened, laughed, and showed consideration during moments that mattered. The evolution of their relationship stands as a reminder that romance in the world of artists can emerge from quiet, everyday exchanges, subtle signals, and the confidence built through years of companionship. The interview also touches on how life paths can diverge and converge, allowing two people to navigate fame and personal growth while still honoring the connection that began in youth. (Source: interview with Yana Churikova)
Earlier remarks from Svetlana Svetikova recount a different first kiss, this time with choreographer Miguel. The artist met him when she was about 15 years old, and their encounter occurred within the theater environment during the musical Metro. The recollection hints at the early taste of romance in Svetikova’s career and signals how early experiences can frame subsequent relationships within the performing arts world. The narrative shows the way formative moments—first performances, first romantic encounters, first collaborations—shape a public figure’s personal history, often tying together professional life with private feelings. (Source: interview with Yana Churikova)