Singer and cultural organizer Sheila White will debut in Mallorca next week, bringing bioclassical to life. This format features renowned classical composers recounting their lives with humor, often paired with one of their most famous pieces. The project has racked up views on YouTube, drawing praise and curiosity alike.
He travels to the island with the show Singing to the poets of the 27 and bioclassical, a program that will premiere at the Teatre de Lloseta on Friday at 8:00 PM and continue on Sunday at noon in the Sala d’Actes in Port de Pollença.
He says he is nervous yet excited, sorting out the final details and refining the script for the concerts. For this new venture, he will be joined by Francesc Blanco on piano.
When asked how he chose the composers to interpret in these works, bioclassical was the focus. He explains his goal is to share the emotional resonance these composers left on him, inviting the public to reconsider classical music and its relevance today. The aim is to make classical music accessible, inviting those who may not be familiar with it to give it a chance and to shed prejudices that might paint it as dull or outdated.
Regarding humor in classical music, he notes that bioclassical and classical music alike carry wit. He cites Mozart as an example, recognizing a sharp, playful sense of humor that can be cheeky. This humor is a deliberate tool to draw people in and ensure they have a good time while listening.
Beyond simply conveying information, the performances seek to engage listeners in a way that invites repeated listening. From the outset, the goal has been to captivate the audience, blend education with entertainment, and reveal what it means to motivate people through music.
When asked about the unexpected success, he admits it was not anticipated and not sought out. The reception has been a welcome surprise, suggesting the show has offered a fresh twist on familiar material.
The idea originated during a weekly radio segment on Cadena Ser, where there was freedom to create with a humorous angle. It also reflects the joy found in making music as a child, a memory that inspired the creative direction.
On ongoing musical discoveries, he explains a desire to explore more composers, including many women whose works are less well known or not widely recorded. He mentions the Majorcan composer Matilde Escalas as a recent discovery, thanks in part to a recording project featuring Francesc Blanco and tenor José Manuel Sánchez. The disc is a memorable listening experience.
What attracts him to Matilde Escalas is her extraordinary sensitivity and the sense that she faced significant societal hurdles. He views Escalas as a remarkable figure whose story deserves broader recognition and celebration by listeners worldwide.
Asked what Bach might do with Instagram today and whether he would gain more views, the response is thoughtful. He believes Bach would have thrived in the modern era, balancing talent with relentless work, and would likely have found success in today’s attention-driven landscape.
Music has always played a central role in his life. He describes a family steeped in musical tradition, growing up with a piano and records at home. His mother sang beautifully and shared music from a young age. He cannot imagine life without music, considering it one of the most meaningful experiences.
Regarding listening to what his child loves to hear, he refrains from judgment and remains open to every genre. He emphasizes understanding why reggaeton or trap resonates with many people and acknowledges the value of diverse listening habits, even if those tunes aren’t his preferred shower or relaxation selections.
There is a growing interest in classical music, he notes, as networks help bring new fans to the genre. He believes many young listeners are discovering classical pieces, and he appreciates the momentum. He hopes more radio stations will dedicate space to classical music to sustain that interest.
The industry, he adds, benefits when networks emphasize emotional depth, quality, compassion, and inspiration. He suggests that audiences increasingly seek meaningful connections through music rather than passive consumption, a trend worth nurturing.