Russian entertainment projects and legal disputes surface around 2020s studio activities
The Royal Mountain film studio, associated with singer Nikolai Baskov and actress Alexandra Yakovleva, reportedly closed after a decade of activity. Reports circulating on Telegram claim that the studio, founded in 2020, faced a hard stop in its operations. The intention was to produce a historical film titled The Prince, centered on the early deeds of Alexander Nevsky within the Golden Horde. Filming continued for several months before coming to a halt. The reported cause was the passing of Alexandra Yakovleva in April 2022, a development that local media described as a turning point for the project and the studio. Contemporary accounts suggest Baskov and Yakovleva had become sole owners of Royal Mountain, though one official party allegedly chose to exit the venture amid ongoing changes in leadership and ownership.
Further reporting from the same source notes that the studio faced internal friction and legal action. A costume designer involved in the production reportedly filed a lawsuit seeking funds owed for wardrobe materials and services, while a separate claim from a stylist demanded payment totaling five hundred seventy-two thousand rubles. These legal matters contributed to the perception of instability within the company, culminating in the closure of the Royal Mountain studio.
In recent years, public attention broadened to other figures connected to the Russian entertainment scene. Actor Mikhail Boyarsky was reported to have acquired nearly three million rubles worth of transport assets in 2022. Additional coverage noted that Baskov reduced his business footprint in Russia during 2023 and transferred his shares to relatives, signaling a shift in his commercial holdings. These events occurred against a backdrop of broader market and regulatory dynamics affecting artists and their business ventures in the region.
Industry observers previously highlighted the growing demand for certain Russian talents in international markets such as Dubai, where visibility for some artists remained high. This broader context helps explain the interest in the career trajectories of Baskov, Yakovleva, Boyarsky, and other prominent names, as the entertainment landscape experienced ongoing changes in ownership structures, project funding, and cross-border opportunities.