No introduction is needed: is he the creator behind The Dress (Iniesta) as well? That question has persisted for decades, and he has continually reinvented himself. His most recent album, Mayéutica, stands as a clear example of his conceptual approach, yet it remains equally powerful in rhythm and lyricism.
The title of the latest album alludes to the Socratic method: posing questions about existence and humanity, guiding listeners toward their own answers. Is this the path he has chosen in his career, and would he recommend it to the public?
Yes, he prefers not to simply offer opinions, but to stimulate thought. The goal is to spark excitement, and, ideally, to help listeners know themselves better. The Mayeutics method begins with guiding questions, while also inviting a reconsideration of things. Music, too, can be used for this exploration. He aims to connect first and foremost through his songs.
Is the concept of a source robe harsh and sinful?
He composes as ideas arise, without planning in advance. He cannot predict whether a song will be harder or softer, more constraining or more expansive. He does not know if the music will provoke happiness, sadness, or fear. He starts scratching the surface and observes what emerges, sometimes deciding to write a cheerful song only to question that impulse mid-way and pivot. The process evolves naturally, just like life; the music and lyrics have changed over 35 years.
The person evolves, and the identity shifts as time passes.
The world keeps changing, and even if one resists, change finds a way because surroundings evolve. It would be impossible to stay the same person.
There are brief three-minute interludes and more than fourteen songs titled I don’t own my feelings. But how does the artist coax the public to sing along and remain attentive through such expansive themes?
This latest album is divided into chapters to make individual tracks easier to digest, yet it remains a single continuous work, approximately 47 minutes long. At live shows, all tracks are performed, and audiences respond with genuine energy. The sequence feels fluid and engaging, and the experience passes quickly, leaving a lasting impression. The piece remains highly dynamic, and the band enjoys a remarkable performance energy on stage.
The connection between the ensemble and the audience is palpable on stage, a sincere and powerful energy that blends emotion with intensity. Is the aim to lift the audience onto a shared ascent while the performers descend into deeper moments?
Indeed, the goal is to employ the full range of instruments and emotional textures available, creating a concert experience that feels both intimate and expansive. The performances invite singing and dancing, but also softer, reflective moments. The concert structure mirrors this balance: a gentler opening gives way to a more hopeful finale, with a deliberate pause between sections to ground the audience again.
Robe, before the new tour starts: “Even if I stop performing, I won’t stop singing”
During last year’s tour, Covid restrictions required audiences to refrain from jumping, yet the moment could not be held back entirely. How did the crowd experience the return to the live stage?
The atmosphere and front-row energy were unforgettable. People sang, danced, and shared a powerful sense of community. The vibe was close, almost shoulder to shoulder, and the mood was electric. Those positive energies seemed to disappear at moments, but they always reemerged in abundance.
Was this reaction anticipated?
Before the tour started, there was a concern that masks might dampen the experience, but audiences adapted beautifully. They found ways to enjoy the show, transforming quiet moments into a celebration. The concerts were deeply emotional; listeners had fun, and the crowd’s willingness to rise and respond created a memorable live atmosphere. It was surprising how decisively the audience embraced the performance, sometimes uncertain at first, then suddenly all in.
Many described the tour as an unexpected success.
The artist agrees. Songs rehearsed in the studio can feel different in performance, and predicting audience reaction is never exact. The approach is to stay true to the music and allow personal expression to lead the way.
There is a willingness to push boundaries, even at the risk of producing a more experimental album.
That remains the core intention: to explore and experiment. With the band now more settled and equipped with new resources, including guitarist Woody Amores who joined before the new release, musical chemistry flows more naturally. The process becomes easier, enabling a broader range of explorations. In a local setting, there is a belief that nothing can truly go wrong when the aim is to try, try, and try again. More emotion often amplifies creativity, guiding the group toward more unconventional sonic choices.
How did the group solidify so quickly?
They have been together since the debut album in 2013, dedicating time to rehearsal, songwriting, and live experimentation. Their working method emphasizes enjoyment and cohesion, which helps them grow and produce new material. The guitarist and the rest of the ensemble share a genuine love for the music, and that passion fuels the ongoing creative process.
Some say it’s the best band they have ever played with.
It’s not about collecting the best players, but about a deep fit—the way voices blend, how the energy flows, how well all the pieces click.
What can fans expect tomorrow, a concert that overwhelming in scale?
The plan is to perform a broad spectrum: from Robe’s early two albums to Extremoduro, Mayéutica, and a handful of other tunes. The repertoire will offer a little of everything the audience loves.
Will there be a preview of the new work?
Yes, there will be moments that reveal new directions, and a sense of performance that invites the audience to participate. Rehearsals continue to shape the live show, and the tour will showcase fresh material alongside beloved favorites.
Will Robe continue performing for as long as possible?
Whenever the artist is able to, the plan is to keep creating and performing. There will come a time when touring and singing become too demanding, but the focus remains on continuing to write and share music while possible.
Is it possible to sit and simply sing, without a guitar, at some point?
Yes, there could be a moment when a more restrained approach is appropriate. If one pathway closes, another opens. The music and the show can evolve to keep inspiring, while staying true to the joy of making it all happen.
Are teenagers drawn to Robe, and what does that say about the artist’s influence?
Yes, and that response is appreciated. The music resonates with a new generation, not because it was crafted for the majority, but because it offers something real. It’s gratifying to see young fans at concerts who connect with the ongoing work being produced lately.