In recent reports, the rapper Basta, whose real name is Vasily Vakulenko, is said to have a very specific rider. The outline includes a long list of edible items and beverages, some of which are aimed at ensuring comfort and routine on arrival. The notes mention a preference for a particular brand of sausages along with an assortment of fruit. The account also lists pears, cranberries, blueberries, avocados, and a selection of nuts, as well as bread and various kinds of milk, baked pumpkin, and more sausages. Alcohol is not named among his requirements, while cushions of routine items like chargers and napkins round out the rest of the rider. [citation: StarHit]
The description then expands to travel and accommodation preferences. Vakulenko is said to request business class travel, a luxury room, and a high-end vehicle such as a Mercedes Maybach S-Class upon arrival. The accompanying notes show a consistent demand for certain conveniences that help ensure a seamless arrival and performance schedule. Additional items requested for the dressing room include barbecue items, buckwheat, vegetables, mineral water, and chocolate. The staged performance itself is reported to carry a price tag around ten million rubles. [citation: StarHit]
In a slightly different vein, early July chatter centered on the rider of the singer Lyusya Chebotina. The account claims an aquarium containing caterpillars, alongside demands for private air transport to venues and travel in a Maybach vehicle at the earliest convenience. A substantial down payment for the appearance is also noted, with claims that the caterpillars were later clarified as a measure to help organizers manage expectations and logistics. [citation: StarHit]
Earlier stories mention Natalya Sturm, who reportedly faced an incident while vacationing in Spain. The details of that event were shared in various outlets and contribute to a broader tapestry of public-interest travel and performance chatter around artists. [citation: StarHit]
Across these snippets, the common thread is the emphasis on riders as a reflection of personal preferences and professional arrangements. The reports illustrate how artists often coordinate travel, lodging, and backstage provisions to align with their routines, while organizers balance hospitality with practical budget considerations. The narrative also shows how public narratives can evolve as sources clarify or revise claims about specific items or conditions tied to performances. [citation: StarHit]