The discussion around the film One Hundred Years Later has added a new layer to the enduring conversation about Kir Bulychev’s visionary world. The trailer, released by Central Partnership on April 18, immediately drew attention, signaling a bold shift in how the classic story is translated to the screen. A notable early impression comes from Alesya Murashkevich, daughter of Natalia Guseva who became a familiar face for fans as Alisa Selezneva in the 1985 film Guest of the Future. Murashkevich shared that she was impressed by the cast and was curious to see how the story would unfold on modern screens. The performances of well-known actors like Khabensky and Victoria Isakova were highlighted as elevating the project, while Murashkevich also commented on Dasha Vereshchagina, who plays Alisa Selezneva in the film, describing her portrayal as feminine, sharp, and contemporary. She added that the overall casting brought a memorable energy to the screen, even as the depiction of certain characters could be seen as divergent from the familiar book world. This early reaction underscores a tension between nostalgia for Bulychev’s retrofuturistic voice and the fresh, contemporary aesthetic the movie embraces. In Murashkevich’s view, the trailer set a tone that promises strong acting and memorable characters, though the filmmakers face the challenge of reconciling beloved literary details with a broader cinematic approach. She remarked that the trailer conveyed strong chemistry among the leads and suggested a certain cinematic allure that could appeal to both longtime fans and a newer generation. The discussion around the film also touched on how the portrayal of Alisa and the pirate antagonist fits within a modern cyberpunk sensibility, an interpretation that may differ from the more expansive, book-centered atmosphere associated with Bulychev’s original work. As a result, expectations are mixed but hopeful, with audiences curious to see how the adaptation balances reverence for the source material with contemporary storytelling techniques.
From the perspective of family legacy, there is a sense of anticipation mixed with reservations. Unlike the aura surrounding the earlier Guest of the Future, the new production is seen by some as moving away from Bulychev’s signature style. Yet this shift is framed as a modern reimagining rather than a direct continuation, offering a cyberpunk-inspired future that remains warm and inviting in its own way. The cast has been singled out for contributing a certain charisma, and the film’s direction further reinforces a forward-looking voice that still nods to the imaginative spirit of the original novels. For many viewers, this translates into a hybrid experience: a contemporary blockbuster that honors the core themes of exploration and wonder while presenting a distinct, current-day personality.
There is cautious optimism about the project’s reception at the box office. Some worry about the risk of a standard blockbuster approach overshadowing the nuanced world that Bulychev created, while others celebrate the potential for a broader audience to discover Alisa Selezneva and her universe. The younger generation, in particular, might find the newer interpretation more accessible, even if it means missing some historical texture. Nevertheless, the sentiment remains: the universe deserves to be remembered, discussed, and revisited. Families are planning to enjoy the experience together, turning the film into a shared event that can spark conversations about science fiction, memory, and the evolution of beloved characters.
The project, known as One Hundred Years Ahead in some translations, is directed and written by Alexander Andryushchenko. The ensemble features Daria Vereshchagina in the role of Alisa Selezneva, with Kolya Gerasimova, Mark Eidelstein, Alexander Petrov as the space pirate Veselchak U, and Konstantin Khabensky appearing as Professor Seleznev. These casting choices signal a deliberate blend of established talent and fresh faces, designed to attract a wide spectrum of viewers while preserving the core spirit of the story’s space-faring adventures.
The roots of the story trace back to 1978, and the narrative gained enduring popularity after the five-part film Guest from the Future released in 1985. At the center of Bulychev’s expansive series is Alisa Selezneva, a schoolgirl navigating futuristic Moscow at the close of the 21st century. Across multiple books, she travels to distant worlds and traverses time itself, a premise that has inspired generations of readers and sparked countless conversations about the possibilities of the future. The updated film seeks to capture that sense of awe while presenting it through a lens that resonates with today’s audiences.