The Rise of Ptazeta: From Quiet Beginnings to a Cresting Urban Wave
Fate dealt a curious hand to Zuleima González, the Las Palmas native born in 1998, who would come to be known as Ptazeta. A journey from anonymity to prominence unfolded in just a couple of years, propelled by the breakthrough track Mami and a series of high-profile collaborations with figures like Bizarrap and Aitana. In a moment marked by anticipation, Ptazeta is slated to close the San Mateo program on September 20, sharing the stage with Juacko and Lola Indigo.
The question of how someone rises so quickly in the music world invites a thoughtful answer. Ptazeta reflected on the experience, noting that the initial surge of success hit hard. It disrupted a familiar life and created a shock of adjustment. Over time, she learned to navigate the whirlwind with more balance, acknowledging that novelty still finds a way to surprise her on a daily basis.
Asturias holds a special place in Ptazeta’s heart. Her ties to Oviedo are warm, and she feels a strong affection from local audiences. The region has become a second home for her team, a place where creative projects like music videos for hits such as Trakatá were brought to life, reinforcing a sense of belonging and continuity for her work.
Behind Ptazeta’s rising profile stands Juacko, a producer who has been instrumental in shaping her sound. He is described as both producer and confidant, a partner who helps steer the creative process and keeps nerves steady. The collaboration on Mami emerged from an early joint effort in the Canary Islands, where Juacko showed his versatility as a DJ and producer. The result was more than a track; it became a bond, with Juacko becoming a trusted brother who offers guidance, calm, and strategic counsel whenever inspiration runs hot or tempers flare.
Recent news highlights Mujerón, a collaboration with Villano Antillano released about a week ago. Ptazeta described the project as a bold expression, one that opens up a conversation about strength and independence in a world that often leans macho. The aim is to help listeners understand that women are powerful and capable, encouraging openness of mind while recognizing the ongoing work required to sustain progress and equality.
Looking ahead, Ptazeta expressed optimism about new music planned for the year. She hinted at exciting plans for 2023, including additional collaborations and solo projects with Juacko that fans can expect to hear. The tone suggested momentum rather than a pause, with a sense of moving fast and maintaining steady progress toward upcoming releases.
On the topic of feminism within urban music, Ptazeta was clear. She rejects sexist language and emphasizes the responsibility of artists to deliver messages that align with her values as a woman and a person. Her music aims to uplift, promote respect, and explore healthy relationships, while also offering playful, provocative lyrics in other tracks that keep the energy vibrant and unafraid to push boundaries.
Describing her musical style, Ptazeta identifies primarily as a rapper, acknowledging that rap is a form of poetry and a springboard for broader experimentation. She remains open to cross-genre exploration, seeking to learn which stylistic blends resonate and which do not, all while preserving a distinct voice within a field known for rapid evolution.
Her early experiences in music appear to be a natural prologue to her current artistry. Ptazeta recalls beginnings in improvisation with peers, even staging friendly competitive battles that included freestyle sessions and occasional Red Bull competitions. The feeling of stage fright still lingers for her, a reminder that even vibrant, extroverted performers carry a private reserve of nerves. Writing and improvisation helped her understand the craft and paved the way for the songs that define her repertoire today.
Music has always been part of Ptazeta’s life. She recalls playing the trumpet as a child and growing up in a family that sang together. Though she once imagined architecture as a future path, freestyle and rap gradually revealed themselves as the true calling. The shift from a different aspiration to a music-first life became clear as she embraced the artistry of freestyling and performance.
The origin of Ptazeta’s chosen name holds a simple charm. She explains that the moniker feels like a cool word with a playful edge rather than a literal reference. The first element, Peta, connects to the word peta, while Zeta references the first letter of Zuleima, arriving at a nickname that feels both energetic and personal.
Attribution: Interview with Ptazeta, conducted in a recent media session and compiled for context on her evolving career and artistic philosophy. Quotes and paraphrased insights reflect her public statements and artistic outlook. [Source: Ptazeta interview coverage]