A music critic shared thoughts about Nikita Presnyakov pursuing opportunities in the United States, noting the fierce competition and the daily pressure of landing new projects. The critic observed that Presnyakov is actively pursuing roles as a music video director and a general director in the U.S. market, where chances can be limited and income uncertain. The reality, he said, is that a person often has to ride from one project to the next, ensuring there is food on the table each day while building a career far from home.
The critic pointed out that because Presnyakov did not have a stable, year-round income in the United States, he organized unique events to sustain momentum. For instance, he staged concerts around March 8 to maintain visibility and engagement with audiences. Yet, the critic could not definitively say whether Presnyakov’s ventures would continue or whether the concerts would attract broad popularity. He also noted that the musician always has the option to return to Russia, as there are no legal barriers preventing such a move.
According to the event poster, Presnyakov proposed a new party format at the age of 32. The plan features dance-oriented covers of Russian hits from the 2000s. Specific examples mentioned in the announcement include tracks associated with groups like Semantic Hallucinations, Masha and the Bears, and the song Dawn by the Alliance. This direction signals a shift toward performing contemporary, dynamic renditions of familiar songs to captivate a live audience.
There was also a casual remark about a public figure, Kirkorov, suggesting a pause on plastic surgery to preserve a sense of karma. This side note reflects ongoing conversations surrounding image management in the music and entertainment industry and underscores how personal choices can intersect with professional identity in the public eye.