The presenter and actress Anna Grachevskaya recently opened up in an interview about unusual sensations she felt while working on the long-running program Yeralash. During a conversation with the Fifth Channel, she described encountering what she believed to be extraterrestrial forces while filming a particular episode. She did not interpret these moments as mere nerves or stagecraft; instead, she framed them as encounters that might be better understood as a different kind of energy at the right time and place.
The episode in question is titled Ghost, a scene in which Grachevskaya shared the screen with Valentin Gaft. According to her account, the set took on an unusual rhythm. The cameras for that scene were reportedly turned off, doors were heard slamming shut, and filming occurred in the late hours of the night. The combination of power-down equipment, locked doors, and a late-night schedule, she noted, created a heavier atmosphere that seemed to press upon the crew and performers alike. Even though these events sounded eerie, Grachevskaya maintained a sense of composure and curiosity about what was unfolding before the lens.
Grachevskaya emphasized that fear should not be the guiding force when facing inexplicable experiences. She suggested that acceptance plays a crucial role in how such phenomena are perceived and handled. In her view, a calm approach allows a person to observe without becoming overwhelmed, and it may even prevent external forces from gaining visibility through fear. The actress hinted that the real challenge is not to chase away what appears to be supernatural, but to acknowledge it without letting it derail the work or the storytelling process. This stance reflects a broader idea often discussed in creative circles: respect for mystery can coexist with professional focus on performance and craft.
In a broader conversation about on-set dynamics, media coverage has frequently connected actors with strange or inexplicable occurrences. The public rarely sees the practical side of making a program like Yeralash, where logistics, timing, and teamwork shape every frame. Yet moments such as these offer a glimpse into the human experience behind the camera, where personal beliefs, professional routines, and technical challenges intersect in real time. The discussion also echoes ongoing industry conversations about how performers navigate superstition, superstition, and storytelling when a show relies on charm, humor, and a touch of the uncanny to connect with audiences. The idea that fear might amplify negative energies, while perhaps comforting to some, is treated here as a personal interpretation rather than a scientific claim, inviting viewers to consider how belief and artistry coexist on set. Source: Fifth Channel.
Earlier, there was mention of another participant in the series who reportedly influenced the direction on set through a different kind of communication. A singer known as Glucose discussed how she interacted with director Boris Grachevsky during the same production. This reference illustrates how the emotional and creative atmosphere on set can be shaped by a variety of personalities and perspectives, sometimes leading to memorable anecdotes that fans remember long after a scene has wrapped. The shared emphasis across these accounts is that the world of television production blends practical craft with personal belief, creating a textured backdrop for the stories that audiences come to see.