It is a pleasure for the audience to see a moment of celebration unfold, and the mood around the Benidorm Festival has shifted toward anticipation for the next steps in the Eurovision journey. A post on X by Toni Sánchez Panxo reflected the upbeat vibe in Alicante, suggesting that the event marks not just a win, but a doorway to broader exposure for some of the region’s brightest musical talents. The people of Alicante sense that a Nebulossa victory could propel new opportunities in the national and international music scene, inspiring artists to aim higher at future editions of the festival and beyond. This sentiment aligns with a growing belief that music careers can advance rapidly when creative momentum meets public recognition.
In a later interview, the band’s leadership acknowledged the intense discussions that surrounded the onstage performance and its aftermath on social networks. The public response proved unexpectedly lively, underscoring how a performance can become a focal point for debates about artistic direction and the responsibilities of visibility. The band members emphasized a desire to extend their musical conversation, while noting that the real challenge is balancing momentum with the realities of collaborative work in the studio.
Controversies and recognition
Professionally and personally, Nebulossa rides a wave of satisfaction following a competitive victory that many describe as a turning point. The experience mirrors the journeys of other Valencian artists who have passed through what some locals call the central creative hub, a place known for shaping distinctive regional sounds. The Ondara studios are remembered as a place where years of effort by bands from nearby communities are said to converge into moments of breakthrough. Panxo notes that the most noticed acts in Valencia often emerge from nearby areas, hinting at a regional musical ecosystem that rewards collaboration and trust among artists. The sense is that Mark Dasousa, the studio impresario, understands how to read musical moments, identify what works, and invite artists to contribute, then let the music breathe.
During the studio period, Panxo and Mark Dasousa sometimes clashed over musical proposals, a clash born from shared stubbornness and a deep commitment to their respective artistic visions. Yet that friction eventually revealed a mutual belief in Nebulossa’s potential, a belief Dasousa is credited with unlocking in many artists who have passed through the studio doors. The confidence he placed in Nebulossa stands as a cornerstone of the group’s current cohesion and creative direction.
There is a consensus among collaborators that Dasousa has repeatedly demonstrated an ability to ignite a team’s potential, a trait that resonated in Mary’s story as well. The studio history includes evidence of a producer who fosters growth while ensuring that each artist retains their own voice. This balance helps Nebulossa maintain a strong identity even as they explore new musical territories.
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“Man of stories”
Rapper Tesa expresses pride in having a performer like Mary represent the group on the Eurovision stage. She notes that female artists often face age-related prejudice, and that musical careers do not have to fade with time. Tesa describes Dasousa with warmth, highlighting a meticulous approach, consistent effort, and a collaborative spirit that helps ensure artistic goals translate into public success.
Music colleagues describe Mark with admiration for his professionalism and his perceptive sense of where trends are headed. Carles Caselles of Smoking Souls emphasizes Mark’s visionary capacity, noting that the producer often anticipates the best path for a song even before a recording session begins. The work ethic is described as tireless, with early morning strategizing becoming a routine when a project is in motion.
Respect for the artist
Samantha Gilabert highlights not only Mark’s musicianship but also his personal regard for collaborators. He is seen as someone who creates space for others and prioritizes respect over time constraints. The experience of recording multiple takes to capture a moment that feels right is framed as a shared journey rather than a stopwatch race. A singer from Beniarres recalls meeting Dasousa during her early work with a group and later reconnecting as her own artistry evolved, praising Mary for a modern, multifaceted approach that even extends to styling on video projects.
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Colleagues and fans alike recognize Mark’s unwavering commitment to artists operating on tight budgets. Artur Martínez of La Fúmiga notes that the collaboration with Nebulossa broadened their sonic horizons beyond conservatory training into a more street-smart sound. He recalls a process of musical discovery that blends traditional roots with contemporary energy, a blend that shapes the group’s current identity.
An act of justice
Artur views the Benidorm Festival victory as a form of justice, a sense of closure for artists who have dedicated themselves from dawn until late at night. The triumph also brought surprise, especially in the minds of those who wondered how quickly a project could transition from studio talks to on-the-spot studio work the following Monday. The scene includes a growing mix of independent and underground acts who have risked savings to pursue their dream, a testament to the festival’s ability to spotlight daring, self-made projects.
The dynamic around Nebulossa continues to evolve as Mary takes a central role in steering the project’s musical direction while Mark manages broader operations. Observers note Mary’s leadership in pushing Nebulossa toward a sound that nods to eighties sensibilities while remaining accessible to contemporary audiences. Dasousa’s studio still serves as a creative hub where the artist’s vision remains intact, even as the team expands and experiments.