Nathy Fluffy delivered a full spectrum of his artistic arsenal this Saturday, bidding farewell to the Calambre album tour with a performance that felt almost radioactive in its energy at Madrid’s Wizink Center. The show opened doors wide for him to establish himself as a dominant figure in the Hispanic music scene, aided by a bold stage design and the prowess of a tight cast of accompanying musicians.
Many observers once placed the Argentine artist in a broad catchall labeled urban music. That label often lumps together distinct genres and subgenres such as rap, trap, reggaeton, or R&B, and it tends to flatten his work into one indistinct box. In Madrid, the crowd’s reaction made it clear that such a simplification misses the mark. The artist’s persona and sound straddle multiple identities and, at times, feel like a blend of diva rap and salsa that refuses to be pinned down to a single category. The delivery on stage was electric, with dynamic movements and choreography that kept the pulse of the night racing.
Throughout the concert, the rapper embraced a tradition of bold expression, weaving eccentricity with a defiant attitude. He revisited recent, emblematic themes in his repertoire, offering fresh takes on tracks like Buenos Aires, Mafiosa, and the newly released Estás buenísimo, which have come to define his public persona.
The collaboration with Bizarrap stood out as a highlight, marking a peak in the performer’s viral trajectory. The crowd echoed lines that have become emblematic in recent performances, underscoring the influence of that partnership and its iconic phrases that resurfaced during the show. The moment resonated through the Wizink Center as the beat and bravado connected with longtime fans and newcomers alike.
There was also a nod to the CraneoMedia collective, as a past collaboration brought back a song that seemed destined to disappear from the set. Such moments underscored the performer’s loyalty to his roots and the community that supported him from the start.
Argentina’s own timeline of music history seemed to unfold in real time as the evening shifted. The farewell to a reggaeton pioneer was marked by a relaxed moment when Daddy Yankee’s influence hovered over the arena, inviting a collective sense of release and shared memory among the audience.
The artist carried a direct, unfiltered voice on stage, once again challenging listeners while staying within reach of his audience. The moment of giving back to the fans—roses raised in tribute and tossed into the crowd—was a ritual that connected the performer with those who had supported him for years. It was a vivid gesture that crystallized the emotional arc of the night.
In a particularly poignant closing, the performer reflected on the long road traveled with his fans as he prepared to end the two-year Calambre tour. The audience watched with anticipation as the final sequence built toward a last, memorable release of energy. The closing notes of To live like this is to die of love found the room unified in a breathless tempo, everyone sharing in the magic of a moment that felt bigger than the stage itself. The performance left attendees with a resonant sense of connection, proof of the artist’s enduring impact on the contemporary music landscape. (Source: Marcel Guinot reports from the Wizink Center)