An interview surfaced where a Russian singer, Oleg Likhachev, addressed allegations regarding Alla Pugacheva, widely recognized as a People’s Artist of Russia. Likhachev asserted that a melody from one of Pugacheva’s songs appears to have influenced his own composition and claimed that similarities extend to the chorus in particular.
According to Likhachev, his track titled “They beat us, we are flying” seemingly shares melodic elements with a Pugacheva song. He pointed to parallels in composition and arrangement, suggesting that the same melodic ideas surface across both works.
The artist stated that the timeline shows his version of the song was first released in October 2013, with a related version of the piece appearing in May 2014. He recalled that he had been actively distributing the song to production centers in Moscow toward the end of 2013, which underscores his belief that the melody was circulating within the industry prior to public release.
Likhachev emphasized that every songwriter possesses a distinctive vocal intonation and melodic identity. He expressed a wish for fair compensation, requesting that royalties be shared with him in recognition of the perceived use of his copyright material.
Financial constraints were noted by Likhachev as a barrier to pursuing legal action immediately. He mentioned that a plagiarism examination costs approximately 50,000 rubles, which he claimed is a barrier to initiating formal proceedings. He also noted that legal action might be pursued if his financial situation improves, and he hinted at seeking support from others who might be sympathetic to his case.
Oleg Likhachev is best known for a provocative line in a song that gained meme status within Russian internet culture, specifically a chorus that has been shared widely across social platforms. This notoriety has contributed to continued public interest in his broader body of work and the dynamics of copyright in popular music.
In related industry movements, there have been other high-profile disputes involving rights holders and content creators, reminding audiences that intellectual property disputes can surface in various forms across the music landscape. Observers note that equitable compensation and clear licensing practices remain central to resolving such conflicts and preserving the integrity of the creative process. The discussion around Likhachev’s claims reflects broader concerns about authorship, originality, and the protection of musical ideas within a highly collaborative and fast-moving cultural environment. [Attribution: industry reports and public commentaries compiled for context]