Mosfilm, the long-established Russian studio, has begun principal photography on a new film project centered on the Russian special military operation in Ukraine. The development was confirmed by a representative of RIA Novosti, noting that Karen Shakhnazarov serves as the general director for the production. The project marks another ambitious venture for the studio as it continues to explore contemporary themes tied to national events and military history through cinema. Two scripts are currently in development, with production just starting to take shape, and filmmakers are moving carefully through the early planning stages to ensure the project can responsibly handle the complex subject matter.
Shakhnazarov explained that the production process has already moved from concept to practical steps on set, though he emphasized that the team is not ready to reveal the film’s title. The filmmaker did, however, confirm that the story is connected to the Northern Military District and that casting decisions and production logistics are underway. The plan is for the film to be completed and released in the fall, with a schedule that allows for careful post-production work and coordination with the actors and crew in order to present a thoughtful portrayal of events.
Earlier in February, Moscow hosted the first public screening of the film 20/22, a feature that tackles the events of the special military operation in a region affected by the conflict. The premiere drew attention to a new wave of Russian cinema addressing recent history, and it showcased how studios approach sensitive topics with artistic interpretation and documentary realism.
That screening was organized by a production team led by director Andrei Simonov and producer Andrei Kretov, with prominent performances by Aristarkh Venes and Daria Kukarskikh. The film’s debut contributed to a broader conversation about how contemporary Russian cinema can reflect on national experiences while balancing artistic expression and audience expectations.
In the same cultural season, Moscow also opened the Festival Cinema in the Service of the Motherland, a showcase dedicated to films that celebrate national history and civic service. The festival highlighted a range of new and established filmmakers who employ cinema to interpret historical moments, personal stories, and collective memory. The event underscored Moscow’s role as a center for diverse cinema that engages with current events through storytelling, performance, and visual design.
As the new project moves forward, industry observers note that Mosfilm remains committed to high production values, meticulous attention to period detail, and rigorous collaboration across departments. Filmmakers stress the importance of accurate set design, costuming, and soundscapes that support a nuanced narrative rather than sensationalism. The studio’s approach also reflects a broader trend in national cinema toward producing content that invites dialogue about recent history while preserving artistic integrity.
Onlookers expect ongoing updates from the production team as filming progresses, with further announcements about casting, locations, and creative direction. The project is anticipated to contribute to the evolving landscape of Russian cinema, offering audiences a cinematic experience that engages with complex geopolitical events in a manner that is both responsible and compelling.