May Abrikosov, known for his time on the reality show Dom-2 under the real name Roman Tertishny, recently shared his thoughts about Olga Buzova on social media, with the post appearing on StarHit’s network. He weighed in on why she often portrays herself as the most popular participant from Dom-2, inviting readers to consider the dynamics at play within the long-running project.
Abrikosov questioned the basis for Buzova’s claim to supremacy within the Dom-2 universe. He pointed out that the catchphrase often associated with her, My people are always with me, seems selective and not fully transparent. He asked what exactly constitutes this proclaimed following and whether it truly reflects a broad audience or a tightly controlled circle of supporters. In his view, the phrase has become more of a mentality marker than a simple loyalty statement, a shift that he believes may distort the original presence of other contestants who helped shape the show’s early popularity.
According to the former participant, Buzova appeared to be on camera for the longest stretches, occupying a leadership spotlight that sometimes felt less about performance and more about continual visibility. He described the on-screen reality as a blend of engagement and self-promotion, noting a perceived escalation in confidence that bordered on arrogance. The critique extended to a sense that Buzova, while benefiting from Dom-2’s platform, was increasingly positioned as the hub of attention, a central figure around whom narratives revolved. The remark echoed concerns about whether the emphasis on a single personality could overshadow the contributions of others and alter the program’s original balance.
The conversation included questions about whether Buzova could sustain a successful career beyond Dom-2 without the show’s infrastructure. Abrikosov did not deny her talent or timing, yet he suggested that the breadth of her current fame relied heavily on the reality program’s existing ecosystem. He allowed for her ongoing popularity but cautioned against over-crediting one participant for a phenomenon that benefited many people and moments across the series’ lengthy history. In his view, the broader story of Dom-2’s success does not belong to a single name, and the series holds a place in television culture that is larger than any one star, a point he sees reflected in the show’s enduring presence in media discourse and fan memory.
The discussion also touched on the idea of ownership over the show’s success and how public perception can be shaped by selective storytelling. Abrikosov rejected the notion that Buzova should be allowed to claim exclusive rights to the show’s influence, arguing that the resonance of Dom-2 arises from a tapestry of performances, relationships, and moments created by a wide array of participants. He suggested that the show’s legacy is a collective achievement rather than the sole achievement of a single person, a perspective that aligns with how audiences remember the program’s most iconic eras and pairings across its duration. The dialogue highlighted the tension between individual celebrity and the shared history of a long-running reality format, a tension that continues to inform discussions about fame, fandom, and media power.
Meanwhile, Olga Buzova’s family dynamics were also part of the public discourse, with her mother, Irina, reportedly addressing questions about her daughter’s personal life and career. The broader narrative included conversations about how family and public relations interact with star personas in modern entertainment. In related news, there has been talk of former collaborators and commentators reflecting on relationships and marriages among Dom-2 participants and how these stories intersect with public interest and media coverage. This ongoing conversation illustrates how personal stories from the Dom-2 era continue to resonate in contemporary entertainment discourse, shaping audience expectations and the way viewers interpret star trajectories within and beyond the show. The dialogue remains part of a broader conversation about the responsibilities and opportunities that come with reality television fame, and how these dynamics evolve as careers extend into other media landscapes.