Tickets for Maxim Galkin’s shows in Thailand were canceled after the performer, who has been labeled a foreign agent in Russia, voiced political statements on stage. The news came from a Thai entertainment industry insider, as reported by TASS.
Galkin had been slated to perform in Pattaya on January 24 and in Phuket on January 25. The Pattaya engagement was to be held at the Royal Cliff Hotel, but the venue later declined to host the event.
The plan for Phuket involved a halt at the Royal Phuket City Hotel, yet that concert was also scrapped. The source noted that Thai authorities are quick to react when public figures use the stage to express political views.
Ticket prices for the Thai gigs ranged from 8,500 to 16,000 rubles, and those tickets are no longer on sale.
Earlier, in Thailand, the performances of former Comedy Club resident Ruslan Bely, also designated a foreign agent in Russia, were canceled. Organizers cited circumstances beyond their control as the reason for the cancellations.
Recently, Ruslan Bely spoke in an interview with comedian Sergei Matrosov, describing how his Thailand and Indonesia tours were canceled. Polina Gagarina has previously commented on his fiery temper.
These developments illustrate the sensitivity surrounding public political statements by performers traveling abroad, and how local event organizers respond to external political contexts, sometimes leading to abrupt changes in planned performances. The case highlights how international venues balance creative expression with local regulations and public sentiment, especially when artists are linked to political events or controversies in their home countries. Audiences may feel disappointed when schedules shift unexpectedly, yet organizers aim to maintain legal compliance and public safety. In this evolving scene, performers and promoters alike must navigate a complex landscape where cultural entertainment intersects with geopolitical considerations, often resulting in last-minute changes to touring plans and ticketing arrangements. The broader implication concerns the ongoing dialogue about freedom of expression in international entertainment and the responsibilities that come with performing for diverse audiences abroad. As the industry adapts, fans are encouraged to stay informed through official announcements and to respect local norms that may influence event viability. The outcome of these cancellations raises questions about how future tours will be designed and communicated, ensuring transparency for ticket buyers and clarity for venues seeking to align with regional regulations while supporting artistic voices. In sum, the Thai cancellations reflect a broader trend where political resonance can directly affect show business, underscoring the need for proactive planning and clear messaging from artists and organizers alike. Citations from industry sources confirm the pattern and provide context for stakeholders navigating these changes.