Singer Lada Dance, cleverly concealed in a Poodle costume on the Mask show, joked that the head of the judging panel, Philip Kirkorov, still intends to marry her. The entertainment portal PROZVEZD highlighted this playful moment, underscoringDance’s knack for blending humor with the season’s dramatic reveals.
According to Dance, Kirkorov has teased marriage since she was a teen, a running joke that has accompanied their long friendship for years. She laughed at the idea that he might actually formalize anything, saying that their bond feels as if they have been virtually married for a long time, a lighthearted sentiment that fans found endearing rather than alarming.
The actress hinted that Kirkorov might be able to guess her identity by the timbre of the vocal tone behind the mask, yet Dance chose to keep that guess private. She noted that Kirkorov seemed determined to believe a young woman in a Poodle costume was performing, a strategic misdirection that plays into the playful masquerade of the show. She added that the project provides a unique opportunity to embody a different persona and explore varied modes of performance that depart from one’s everyday self.
“The poodle persona has become a kind of avatar, a stage where a performer can stretch boundaries,” Dance explained. “Lada Dance, for instance, might not be inclined to joke or stray into a playful or childish mood in ordinary life, but the Poodle character can embrace those shifts freely.” This admission highlights how masked performances invite celebrities to experiment with identity and style, producing moments that resonate with audiences watching from home and fans online.
Earlier, Sergey Lazarev weighed in on the experience, noting how challenging yet rewarding it can be to maintain a single, consistent image during the Mask show. He described the months of immersion in the persona as an intense process, where the line between performer and character blurred for the duration of production. Lazarev revealed that once the project concluded, he reclaimed his usual demeanor and walked restored to his familiar stage presence, a reminder of how transformative these experiences can be for artists while they are in character.
In this dynamic televised format, the blend of humor, mystery, and artistry offers viewers a lens into how performers navigate fame, audience perception, and the pressure to entertain within the constraints of a televised competition. The Poodle avatar serves as a playful symbol of creative exploration, illustrating how costume and character choices propel storytelling on a reality-based stage. Fans continue to discuss whether vocal timbre, stage manner, or competitive strategy will reveal the masked identities, fueling ongoing conversations across social media and fan forums.
From a broader perspective, the Mask show is a platform where seasoned artists test new theatrical instincts against the expectations of judges and an enthusiastic audience. The collaboration between judge and contestant, set against an evolving display of costumes and clues, makes the program more than a contest; it becomes a microcosm of performance, perception, and personal reinvention. The strategic mystery of who lies behind each mask keeps viewers engaged while inviting experts to analyze vocal techniques, performance choices, and the psychology of stage personas.
As this season progresses, both the contestants and the judging panel are navigating a delicate balance between artistry and competition. The Poodle character embodies flexibility—an avatar that can temper humor with gravitas or flip to mischief in a heartbeat. Such duality demonstrates the breadth of a performer’s range and the show’s willingness to celebrate versatility, even while maintaining the suspense that keeps fans guessing until the final reveal. In this sense, the show contributes to a broader conversation about identity in entertainment, illustrating how artists reinvent themselves under the bright lights of television while maintaining a connection with wide audiences who crave both authenticity and spectacle. [Source: PROZVEZD]