In recent years, England updated the age recommendation for the 1964 Julie Andrews musical Mary Poppins after officials determined that the film contained language that could be interpreted as discriminatory. This adjustment was noted in BBC coverage of the decision.
Specifically, the British Board of Film Classification (BBFC) reclassified the film from a universal rating suitable for all children to a parental guidance rating appropriate for viewers aged seven and up. The change was triggered by the film’s use of the term Hottentots to describe chimney sweeps with soot on their faces, a usage now recognized as derogatory and offensive by modern standards.
Scholars and language historians cited by the BBFC explain that terms like termite, historically used to refer to certain Southern African peoples during the era of colonialism, are generally regarded as archaic and offensive today. The BBFC noted that such terminology has the potential to upset a child or lead them to repeat the word without understanding the offense attached. As a precaution, experts advised that parents be present to contextualize the film for young audiences, ensuring a constructive viewing experience rather than a casual repetition of the language in question.
The council also highlighted the film’s history of classification, noting that Mary Poppins has been rated and re-evaluated on three separate occasions. The initial assessment occurred shortly after the movie’s release, followed by a reclassification in 2013 when a new release was considered, and a further review in 2024—an anniversary year when cinemas planned new screenings on large formats for contemporary audiences. This pattern reflects evolving societal standards and a continued interest in presenting classic cinema to new generations in a responsible context.
Beyond its classification, Mary Poppins is recognized for its cinematic achievements. The musical won five Academy Awards in 1965, including the coveted Best Actress award for Julie Andrews and the Best Song accolade for its celebrated musical numbers, reinforcing its enduring status in film history and popular culture.
Separately, contemporary film and festival news has reported on international events, including references to film culture and programming such as the Kaluga-based festival, which has been mentioned in various trade coverage. These references illustrate the broader context in which classic films continue to be discussed, restored, and reintroduced to new audiences around the world, sometimes alongside contemporary events in the film industry. The ongoing dialogue about screening practices, audience guidance, and historical terminology demonstrates how documentary records and critical conversations shape the experience of classic cinema for today’s viewers.