Singer Lyusya Chebotina spoke candidly about her habits when navigating crowded city life. She occasionally relies on underground transit to dodge traffic snarls that can stretch into hours. Chebotina emphasizes practical dressing as a shield against prying eyes, choosing outfits that blend into the crowd. Yet the reality she shares is a familiar one for performers who tour or commute: even with a stealthy look, fans tend to spot her on the subway. The star notes that anonymity can feel fragile when fame follows closely behind, catching up in unexpected places.
Chebotina explains that her strategy for travel is simple and deliberate. She often wears a cap, sunglasses, and a hood or other accessories to minimize recognition. In her own words, the most inconspicuous appearance is the one that keeps a low profile while still being comfortable enough for long transit waits. Still, she adds with a touch of humor that fans can recognize her not just by face but by footwear—sneakers are sometimes enough to give her away in a crowded carriage.
Beyond transportation, the singer has previously addressed rumors about personalities in the music world. She commented on talk surrounding a well-known colleague, clarifying that reports of a difficult or unfriendly demeanor were unfounded. She described this artist as approachable and warm, offering a reminder that public images can diverge from private behavior.
In another public moment, Chebotina discussed her approach to dating and relationships. She stated that she is not drawn to certain types of partners and prefers men who pursue and take action. She clarified that a particular collaboration or mutual admiration for her work does not automatically translate into romantic interest. The artist is intrigued by individuals who take the lead and demonstrate confidence, rather than those who prefer to wait for opportunities to unfold. This perspective reflects a broader theme in her public persona: a belief in authenticity, decisive energy, and the value of connection built on mutual respect.
Throughout these reflections, Chebotina’s comments reveal a balance between life in the spotlight and the desire for normalcy. The subway scenes illustrate a practical need to move efficiently within a bustling city, while the discussions about personality and dating reveal a wish to maintain genuine interactions with others. In all, she portrays a contemporary artist who negotiates fame with a grounded sense of self, navigating public interest while seeking moments of ordinary human experience away from the stage lights. The conversation underscores that, for her, style and substance go hand in hand—an ability to perform when needed and to blend in when it serves everyday life, especially in crowded urban environments where privacy is precious and fleeting.