The singer opened up in a candid conversation with Lyubov Uspenskaya, revealing moments that fans rarely see and often miss when watching from the front row. She explained that she isn’t always in top form for a camera or a crowd. Because of that, she tends to avoid posing for photos with fans, preferring to blend into the background when possible. The artist values privacy and tries not to draw unnecessary attention to herself, a habit born from a desire to stay comfortable and undisturbed in everyday life. When she steps outside work, makeup is rarely worn, and her wardrobe leans toward modest, understated choices. The fear of being recognized is not about vanity, but about maintaining a sense of normalcy amid a world that sometimes feels overwhelming.
There was a memorable, almost comic moment she shared about shopping late in the day. She described slipping behind a rose bush at a store and then hiding behind a rocking chair she had to purchase, in a bid to slip away unseen. The price tag, she noted with a wry smile, stood at forty thousand rubles. This tiny scene underscored how far she will go to preserve her anonymity, even in ordinary errands that would otherwise pass without notice. It’s a reminder that public figures often navigate a delicate balance between visibility and privacy, especially in busy urban spaces where every corner can attract eyes that recognize them.
In discussing inspirations, the singer named film legends who have left a mark on her. Marlon Brando and Lyubov Orlova serve as movie idols, shaping how she views performance and presence on screen. In the realm of music, Lyudmila Zykina holds a special place as a source of admiration. The artist admits that listening to the composition The Volga River Flows sends goosebumps up her spine each time. Among contemporary musicians, she expresses appreciation for Leonid Agutin and Pelageya, acknowledging the impact they have on the current scene. When it comes to rap, she prefers not to enumerate every favorite; there are many artists whose work she respects, and she notes that the list would be lengthy. This openness about influences reveals a layered respect for both legacy and modern voices within the industry.
There is also a note of reflection on earlier personal experiences, as she recalls a period characterized by unrequited love. The sentiment serves as a gentle reminder that even public figures face ordinary human emotions, and their careers do not shield them from the emotional tides that wash over daily life. The conversation as a whole paints a portrait of a performer who values artistry while maintaining a grounded, private existence off the stage. It highlights how she connects with music from different eras and genres, and how those connections feed into the work she creates and the way she presents herself to the world. Citations for these insights come from the interview with Lyubov Uspenskaya, which captures the subtleties of her attitude toward fame, family, and the craft she cherishes.