Lyubov Uspenskaya Eyes Album of Zakharova Poems and Artist-Diplomat Collab

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Singer Lyubov Uspenskaya has expressed a wish to release an album featuring poems written by Maria Zakharova, the official representative of the Russian Foreign Ministry. The artist shared these plans with TASS, noting the poems are strong enough to stand on their own before the music even begins.

Uspenskaya described the poetry as high in quality and believes listeners first connect with the words and only then with the accompanying melody and her rendition. This perspective shapes how she approaches the material in live performances and studio sessions alike, according to interviews cited by TASS.

The performer also revealed a deep personal interest in collaborating with Zakharova on new songs. She enjoys singing Zakharova-crafted pieces at concerts and envisions future projects that would bring them together in the studio. The prospect of such a collaboration is presented as a natural extension of their ongoing artistic rapport, as reported by TASS.

Uspenskaya recalled that her daughter, Tatyana Plaksina, formed a close bond with Zakharova during a difficult illness. The diplomat reportedly offered words of encouragement, reminding her that the public needs art and that strength can be drawn from creative work. It is also noted that Zakharova sent the lyrics for the song I Loved You So Much, which later became part of a joint composition. The artist subsequently collaborated with Zakharova on the piece Prayer, which she now performs with her daughter, as described in TASS coverage.

The singer recalled asking her daughter whether the words were verses by Marina Tsvetaeva, reflecting how the literary influence of the poems inspired immediate queries about their origin, according to the cited reports.

In April, Uspenskaya accepted the Golden Vulture award for the song My Power Is With Me during the Chanson of the Year ceremony for 2024. The lyrics for that composition were penned by Zakharova, closing a circle between diplomacy, poetry, and song that has defined the artist’s recent creative arc, as reported by TASS.

The piece briefly mentions a prior legal matter involving Priluchny and Muceniece, noted as a separate thread in the coverage of the artist and related public discourse. This context is included to situate the broader media landscape surrounding the singer’s career at this time, as reported by TASS.

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