Lukerya Ilyashenko on Negative Roles, Film Over Theater, and a Burton Collaboration

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In a candid discussion on Channel Fifth, Lukerya Ilyashenko shared a preference for playing negative roles, explaining that they offer a broader palette of emotions to explore. The actress noted that antagonistic characters give performers a wider range to work with, featuring more ambiguity and constantly opposing viewpoints. This tension, she added, creates a richer emotional landscape for an actor and keeps the performance dynamic from scene to scene. The insight reflects a common truth in contemporary acting: the toughest villains often unlock the most nuanced humanity in a story. (Source: Channel Fifth interview)

During a March conversation, Ilyashenko clarified a preference for film over theater. She described theater work as cyclical, with rhythms and patterns that can become repetitive over time, whereas cinema continually offers fresh angles with each take. The immediacy of a movie shoot—where a single shot can reshape a scene, a character, or even the entire arc—provides a sense of perpetual novelty. This perspective aligns with many actors who seek variety and movement in their craft, valuing the chance to challenge themselves in new cinematic environments rather than lingering in a fixed stage routine. (Source: Channel Fifth interview)

Looking to the future, Ilyashenko revealed a dream of collaborating with renowned American director Tim Burton. Burton’s filmography, spanning titles like Wednesday, Sweeney Todd: The Demon Barber of Fleet Street, Charlie and the Chocolate Factory, Corpse Bride, and Edward Scissorhands, represents a distinctive, visually striking style that has long captivated audiences. The actress suggested that such a partnership would offer an opportunity to explore storytelling through bold, imaginative aesthetics and unconventional characters, pushing the boundaries of performance in novel ways. The aspiration reflects a broader trend among performers who seek collaborations that merge strong directorial vision with fearless, character-driven acting. (Source: Channel Fifth interview)

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