The screening of the movie Barbie has been approved by Lebanon’s censorship committee, allowing public showings within the country, a move reported by the local news portal Naharnet. The decision marks a shift in how Lebanese theaters may present contemporary international releases and signals a nuanced balance between cultural norms and access to global cinema.
In conjunction with the approval, authorities in Lebanon have set strict age restrictions for theatergoers, barring anyone under 13 from viewing films on national screens. This policy reflects a careful approach to safeguarding younger audiences while still permitting full-length viewing experiences for older residents and visitors in major urban centers.
The discussion surrounding Barbie’s arrival in Lebanon has been intense. Advocates argued that film content could reinforce global conversations about identity, family dynamics, and social values, while opponents expressed concern that certain themes might clash with traditional Lebanese morals. A leading figure in the Ministry of Culture, Mohammad Murtada, asserted that the film challenges core cultural and spiritual values of Lebanese society by allegedly insulting family traditions and presenting themes related to LGBTQ identities. This stance contributed to a broader debate about how cinema activities align with local cultural expectations.
Previously, Mohammed Murtada, who once led the Lebanese Culture Ministry, had raised objections to screening the movie on national territory, citing concerns about LGBT messaging within Barbie. The ongoing dialogue highlighted the tension between protecting cultural norms and embracing international cinematic works that address diverse social topics. The public discourse included varied viewpoints across cultural institutions, media commentators, and cinema enthusiasts seeking a clear framework for future screenings.
Meanwhile, reports indicate a broader regulatory climate shaping consumer goods and popular culture. A former aide to a government official drew attention to actions that sought to limit the availability of certain items tied to the Barbie brand and to perceived influences associated with LGBTQ representation. These developments illustrate how policy considerations can intersect with media releases and domestic market responses, fueling further discussion about the role of government in moderating imported entertainment and related merchandise.