TV host Larisa Guzeeva recently shared insights about a tense moment on the set of the film Mother-in-law, revealing that her daughter Olga was unhappy with how a fellow artist behaved. The remarks came up during the project Meanwhile on VKontakte, where Guzeeva opened up about family reactions to filming dynamics.
Olga reportedly told her mother, You know, mom, Garik is coming to the platform and everything around it happens right in front of us. And you… You have money but you don’t have it. You are so poor. The statement, quoted by Guzeeva, highlighted how Olga perceived the social energy around the shoots and the reactions of the cast and crew.
Guzeeva explained that Olga echoed a cautionary stance, suggesting the actor hire security and adopt a more punctual presence at shoots, noting that the surrounding environment did not seem to take the filming schedule seriously at times.
There was a moment when Olga described feeling embarrassment on set due to certain behaviors. She remarked that Garik’s blood pressure was checked and then noted, It is me and my team. This was not about a personal doctor for Garik and certainly not a sign of disrespect toward a star; it was a reflection on the human dynamics present during the production. The conversation was later summarized as a reaffirmation of a star’s status and the accompanying expectations.
Towards the end of October, Kharlamov acknowledged that resuming communication on the Mother-in-law set presented its challenges. He indicated that it did not come easily and that initial discomfort painted a picture of friction rather than harmony.
In Guzeeva’s account, the tension gradually gave way to a more constructive working relationship. Kharlamov emphasized that, through collaboration, the cast members eventually found common ground and even grew closer as colleagues during the filming process.
The discussion also touched on how public perceptions of their professional interactions can differ from private experiences on set. The dialogue suggested that what appears tense in the moment can evolve into mutual respect and cooperation as the project progresses.
Previously, Alla Pugachev was mentioned in connection with a stay at a monastery in Cyprus, illustrating how the public narrative around these figures sometimes shifts through personal anecdotes and varying contexts. The broader takeaway from the conversation is that working relationships in high-profile productions can be dynamic, with tensions giving way to collaboration when teams align on common goals and professional respect.