Singer Larisa Dolina took part in a feature on NTV’s program “You Won’t Believe,” revealing a decisive turn in her fashion philosophy. She explained that she has moved away from clothing produced abroad, choosing instead to wear garments from Russian designers. Dolina spoke with a candid, almost personal conviction about her wardrobe, asserting that everything she wears now comes from domestic talent. She emphasized that her entire closet is filled with creations from Russian fashion houses, a shift she described as a genuine, heartfelt choice. This stance spans both footwear and attire, underscoring a broader commitment to supporting homegrown designers. The declaration resonated with audiences and was cited in subsequent fashion discussions as a notable statement about national craft and consumer choices. (Citation: coverage of the program on Russian television and subsequent fashion discourse)
In a related note, Nike Rivelli, who is the daughter of Italian actress Ornella Muti, joined the conversation by confirming that her mother has likewise steered away from Italian stylists in favor of specialists based in Russia. Rivelli recalled her experience performing at Moscow Fashion Week for a modest fee, adding that the opportunity felt meaningful despite its low price tag. She expressed a forward-looking, optimistic sentiment: any 50-year-old woman would feel fortunate to stand on a catwalk at that stage of life. Her reflections contributed to the week’s broader theme of international artists embracing Russian fashion ecosystems and celebrating diverse paths to recognition. (Citation: event coverage and interviews from Moscow Fashion Week)
Among the week’s most talked-about moments was Larisa Dolina’s appearance on the catwalk during a show by designer Dzhemal Makhmudov, a name long associated with the singer and a number of her colleagues. The backstage scene captured Dolina clad in a sleek, form-fitting black corset paired with tailored trousers, the ensemble lavishly embellished with mirror shards that caught the lights with every movement. Complementing the ensemble, Makhmudov wore a verdant cloak—an unmistakable cloak in a shade reminiscent of the Russian flag. The dramatic styling underscored the designer’s signature stage-craft approach and Dolina’s ongoing collaboration with Makhmudov, which has become part of the fabric of Moscow’s fashion conversations. The moment was widely discussed, becoming a focal point for viewers and industry watchers who parsed the look for its bold storytelling and symbolic resonance. (Citation: fashion show coverage and backstage commentary)
Beyond the public performances, there was curiosity about the stylistic preferences of notable performers and how those preferences intersect with national fashion narratives. Ida Galich, another figure in the scene, contributed to the dialogue by reflecting on the kinds of partners and collaborators she finds most compelling, hinting at a broader discourse about luxury, accessibility, and the evolving role of regional designers on the international stage. The conversations highlighted a growing trend: Russian designers increasingly occupy center stage, shaping trends, while international artists acknowledge and celebrate the domestic fashion ecosystem. (Citation: industry roundups and interview segments)