In an interview, Ksenia Borodina discusses perceptions of victimhood and her own career path
In a conversation with Nadezhda Yay, TV presenter and blogger Ksenia Borodina reflected on her former Dom-2 colleague Olga Buzova and how Olga is often perceived on screen. Borodina suggested that Olga naturally lends herself to a portrayal of a victim, while she herself does not. She added that, as someone who has studied psychology, she wonders why she instinctively fears that particular role and what it says about audience expectations. Borodina emphasized that she prefers to be admired for her strength rather than for a victimized persona. She acknowledged that the Russian audience has shown a strong affinity for victim archetypes, which she finds intriguing and perhaps puzzling from a psychological standpoint.
The TV figure also opened up about her relationship with Dom-2 itself. She expressed gratitude for the platform that helped launch her career and made her a recognizable name on television. At the same time, she noted that she now dedicates only a minimal amount of time to the project. She articulated a belief that if Dom-2 had not existed, her name might not have reached the same level of public recognition, implying that the show played a pivotal role in shaping her visibility and career trajectory.
Borodina previously described working with Sobchak as challenging due to aggressive behavior she experienced at the time. She said that their relationship has improved since then and that she now maintains a cordial connection with Sobchak. Yet she also described an aspect of their collaboration on Dom-2 as marked by abuse, recounting feelings from that period and acknowledging the impact it had on her professional life. The comments reflect a nuanced view of the show’s atmosphere and its effect on personalities involved, highlighting tensions that could arise in a high-pressure, long-running televised environment. The reflections underscore Borodina’s ongoing effort to navigate fame while staying true to her own sense of self and professional boundaries. The broader context shows how figures from reality TV often confront evolving public perceptions as they move beyond the original program that launched them, while still engaging with the legacy of that experience. Source: interview with Nadezhda Yay, as reported in contemporary media coverage