In a recent interview with journalist Nadezhda Yay, singer Klava Koka opened up about the uneasy moment she faced during the Courchevel controversy involving fellow artist Olga Buzova. The tension centered on a video Koka posted on social media that depicted Buzova in a state some interpreted as intoxicated. Koka clarified that Buzova was sober and that the accompanying videos and photos corroborated this account. While speaking about the incident, Koka acknowledged that the surrounding media coverage, as well as Buzova herself, contributed to an uncomfortable atmosphere during those days.
During the conversation, Koka described Buzova as someone who tends to draw attention when cameras are rolling. The singer recalled a particularly sharp moment on Buzova’s social media after they had left Courchevel, which left an impression on her. It was a post that seemed to convey a sense of relief and a message that she was finally free from outside pressure, though the exact wording of the post was lost in memory for Koka at the time of the interview.
Seeking to address the situation directly, Koka said she decided to reach out to Buzova to understand the root of the problem. According to Koka, Buzova explained that the post was not about her, and that the tensions were being interpreted in ways that did not reflect the intent behind the messages. The crux of the matter, as described by Koka, was a miscommunication fostered by a relentless media cycle and the public chatter that accompanies it.
Despite the friction, Koka emphasized that she maintains cordial relations with Buzova. She stated that she would not condemn her colleague and does not hold a grudge. In reflecting on the wider impact of the incident, Koka expressed a sense of personal responsibility without diminishing the fact that the situation had been misread by many. She remarked that if anything she did caused hurt, she was willing to accept responsibility and offer a sincere apology for any unintended offense, while also expressing confusion about the extent of the misinterpretation.
Looking back, the singer noted that, for her part, she did not find fault with herself in the events that unfolded. The episode underscores the pressures artists face in the public eye, where personal moments can be magnified and reframed by the media and online audiences. Koka’s remarks suggest a desire for more measured discourse in the coverage of celebrity moments, and a hope that future conversations would prioritize clarity over sensationalism.
In separate remarks, it was mentioned that Klava Koka had previously spoken about finding love and connection through the program Heart of Klava, illustrating the broader arc of her public life where professional milestones intersect with personal experiences. The exchange with Yay offers a glimpse into how media narratives can shape, and sometimes distort, the relationships between artists in the public sphere, and how a candid, respectful stance can help bridge gaps created by rumor and misinterpretation.