In a recent episode of the program Order Desk, singer Philip Kirkorov shared his take on beauty and talent in Russian show business, singling out Ani Lorak for praise. He stated that Lorak possesses the most stunning figure in the industry, calling her a goddess and even likening her to a sculpture that stands out on stage and off. This bold compliment highlighted Lorak’s enduring presence and popularity in the Russian music scene, where appearances often accompany conversations about artistic impact.
During a chat with host Ivan Chuikov, Kirkorov also weighed in on the Golden Gramophone award ceremony, suggesting that the most coveted statuettes should go to Anna Asti and Lyusa Chebotina. He argued that both artists are currently topping the Russian charts and proving their influence across the music landscape. This endorsement reflected his view that the ceremony should celebrate contemporary success and rising stars who are reshaping the industry’s direction.
“All the titles are up for grabs; who is the king, who is the Diva, who is the prince,” Kirkorov remarked. He praised Asti for proposing a queenly concept and praised her bold, confident performance style as a sign of strong leadership in the scene. His remarks underscored a sense of playful competition among top artists, while also acknowledging the evolving roles women are taking within Russian pop culture.
Beyond awards talk, Kirkorov hinted at future creative endeavors, noting plans to participate in a major video project tied to the Black Panther theme after fulfilling duties at the award ceremony. He described the shoot as a weeklong production that will evoke the grandeur of classic cinema, featuring a mix of notable performers and media personalities who will experiment with unconventional characters and narratives. The project, he suggested, will push the boundaries of traditional pop visuals by blending high-profile talent with cinematic ambition.
Earlier industry insiders such as Garik Kharlamov had commented publicly on moments involving prominent figures like Larisa Guzeeva, illustrating how the Russian entertainment world often blends performance evaluation with playful public banter. These exchanges—whether about style, awards, or collaborative projects—contribute to a dynamic public conversation that keeps audiences engaged and market interest high. The recurring theme is a celebration of charisma, influence, and the ongoing dialogue about who is setting the tone in contemporary Russian music and entertainment.