Olga Kartunkova recently discussed her career and public reception on Ida Galich’s broadcast, revealing that she felt blacklisted by KVN after appearing on a different program, Game. The comedian described the weight of this perception, noting that she had heard about lists that allegedly barred certain performers from major events, including the Sochi festival. She admitted feeling offended by the stigma though she refrained from halting her work, continuing to perform and entertain audiences despite the whispers that circulated around her name.
Kartunkova clarified that she did not believe the decision to blacklist came from the program’s host, Alexander Maslyakov. She suggested that the closing of the Game era signaled a broader moment of constraint on humor within the entertainment industry. The episode involving two comedians sharing a kiss was highlighted by Kartunkova as a vivid moment: she described it as spontaneous and genuine, and she stressed that this moment should be understood as a part of acting life rather than a scandal to be magnified beyond its artistic context.
Her reflections included the idea that the kiss, while surprising, was genuine, and the ensuing controversy drew attention to the show rather than diminishing it. Kartunkova argued that the public reaction pushed people to seek out the topic online and engage with the program, which in turn amplified its reach and relevance in popular culture.
In a note about her personal life, it was mentioned that Olga Kartunkova began dating a concert director after a recent divorce, a development that accompanied her public and professional evolution. This aspect of her life was presented as part of a broader narrative about a performer navigating private changes while continuing to pursue stage work and audience connection.
Within the broader landscape of television comedy in the region, Kartunkova’s remarks contribute to ongoing conversations about the boundaries of humor, the impact of public opinion on performers, and the evolving role of hosts, networks, and festivals in shaping what audiences are allowed to see on screen. Her experience reflects a tension between artistic freedom and the logistical realities of comedy shows in a competitive media environment, where reputations can be influenced by rumors, official decisions, and the framing of performance in the press and on social media. As she moves forward, Kartunkova continues to engage with audiences, adapt to new formats, and balance the demands of professional commitments with the personal dynamics that accompany a long career in entertainment.