Ivan Urgant, a well-known television host and public figure, is listed as an individual entrepreneur in Paris as of March 11 this year, a development reported by Ria Novosti. The agency notes that Urgant’s IP activities cover a broad spectrum of live entertainment, including shows, theater productions, concerts, opera and dance performances, and other similar productions. The registered address is described as a residential building near the French Parliament in the seventh arrondissement of Paris. In addition, another company appears on the residents’ list where Urgant and his wife registered a decade ago, operating in the field of land and real estate rental. This filing hints at a practical blend some artists pursue when working across borders, potentially smoothing the coordination of tours, collaborations, and production deals in Europe, while enabling flexible management of creative and logistical tasks tied to his public appearances.
The program “Evening Urgant” stopped airing on Kanal One in February 2022. The pause came as the broadcaster reshaped its lineup amid a broader shift in the media landscape following Russia’s military actions in Ukraine. Observers noted that the decision reflected wider changes on Russian television at the time, with editors and hosts facing new constraints and evolving audience expectations. Urgant’s absence from the air during those months sparked widespread discussion among fans and industry watchers who were eager for a return that would preserve the late-night program’s distinctive tone and humor while navigating a rapidly changing broadcast environment.
In March 2024, Urgant announced his return to the screen with the project titled “You cried in a painful way.” The announcement suggested a new chapter after more than two years away from regular television work and hinted at renewed activity on screen that could include international collaborations. While a formal release date was not immediately disclosed, the message conveyed that he remained actively engaged in the entertainment space. Earlier, in February, the presenter also teased a foreign tour under the banner “Living Urgant,” signaling ongoing international engagement and a willingness to reach audiences beyond Russia through live performances and televised appearances alike.
Previously, Urgant responded to reports about a multimillion-dollar fee connected to his professional activities. The remarks underscored the public interest surrounding the financial aspects of high-profile media projects and the scrutiny that accompanies prominent figures who operate across borders. The discussion highlighted how the economics of television production, licensing, and live events can attract attention, especially when a popular host navigates cross-national arrangements, partnerships, and touring schedules that extend beyond a single market.
Taken together, the records of Urgant’s business moves in Paris and his intermittent return to screens illustrate a modern, cross-border career. They reflect how contemporary entertainers manage creative output, rights, and international opportunities while maintaining a recognizable presence for audiences in Canada, the United States, and beyond, all within a changing media landscape that continues to shape how big-name hosts engage with fans worldwide.