On July 6, the offline premiere of the second season occurred, a moment the speaker did not personally receive but recalls vividly. It unfolded with a warm atmosphere, featuring many familiar faces and the chance to reconnect with people from the past. Attendees included individuals who worked on the film’s editing, and there was a shareable mood of anticipation. Guests were treated to a distinctive vampire juice, a playful detail that added to the themed experience.
The question of whether being the center of attention appeals at such events comes up. The response is honest: the person does not view themselves as the focal point. Rather, the event felt more like a reunion with old friends, a gathering where new connections were made alongside familiar ones.
The second season is set three years after the events of the first. With this time leap, Valera Lagunov, the central figure, has undergone significant changes. The character grapples with bloodlust during a prolonged struggle that left him in a fragile mental state. The arc suggests mental health challenges without veering into mania, acknowledging the complexity of this character’s psychology.
This period also marks a personal growth moment. The actor began portraying Valera at age thirteen and is now sixteen. After the first season aired, it was noted in an interview that the resemblance between the actor and the character was striking. That likeness persists, as there are relatively few vampires in the actor’s life, which adds a meta layer to the performance while underscoring the immersion in the role.
A significant talking point concerns the most demanding aspect of portraying a character who appears ordinary yet fights daily against a powerful urge. The hardest part lies in internalizing and conveying the psychological state so that it feels authentic within the show’s context. Finding and holding that line is essential for a believable portrayal.
Earlier on set, the actor had flown through a broken stained glass window using wires. This time around, stunt work included challenging jumps from a second-floor level and other demanding sequences. The goal was to ensure these moments read as powerful on screen, with safety and artistry balanced by a professional stunt team. The team has a long-standing working relationship with the production, having collaborated previously on projects, and their professionalism inspires full confidence.
Bullying is among the themes raised in the series. The actor reports no personal experience with bullying, suggesting that Moscov residents may be more conscious about such issues, or that it may occur in other places. The actor emphasizes a peace-loving stance and avoidance of conflict in daily life.
When asked how to respond to aggressive men, the recommendation is cautious and pragmatic: avoid direct confrontation, seek support from trusted adults, and, if necessary, set firm boundaries with decisive action. Establishing boundaries repeatedly can deter criminal behavior by signaling resolve and self-protection.
Before the premiere, Kinopoisk organized an unusual photo project featuring actors as nineteenth-century vampires. The experience involved professional photographers, makeup artists, and stylists, and the collaboration yielded results that exceeded expectations. Audience reactions on social media reflected strong approval of the concept.
Photography is seen as a potential side pursuit, though not a primary career path. The actor has modeled for children’s brands in the past and, occasionally, for relatives’ brands in personal projects. Such appearances are treated as special occasions rather than a routine focus.
Eduard Bordukov directed the second season, and the experience of working with him is described as very comfortable. The actor reflects that while one cannot recall every detail from earlier shoots, the overall collaboration with Bordukov and Svyatoslav Podgaevsky—the director of the first season—was positive and smooth, with both bringing clear professional approaches to the project.
Before cinema, Bordukov was an accomplished athlete. Beyond acting, the speaker has pursued a broad range of hobbies: swimming, diving, rock climbing, water skiing, boxing, and chess. While cinema remains a strong draw, other artistic avenues are not completely set aside, with acting envisioned as the primary future focus.
Academic achievements for the year included exams in Russian, literature, and basic mathematics, sufficient for admission to the theater program. The next step is enrollment at the Raikin Higher School of Economics, following the Konstantin Arkadyevich Raikin course.
Exam preparation involved steady study after the New Year, balancing filming schedules with classroom work. The approach combined consistent practice with manageable assignments, allowing a smooth transition from production to study while maintaining momentum in both areas.
When asked whether cinema or theater holds more appeal, the speaker reflects on youth and uncertainty. The current stance suggests a preference for cinema, with a recognition that theater remains a substantial interest. The actor has not closed the door on stage work and expects to continue exploring both media while advancing in acting.
There was speculation about figure skating due to earlier interviews. The actor clarifies that skating was a script device rather than a real pursuit, joking about the idea of being a skater and addressing rumors with a light-hearted dismissal. Although acquaintances in the figure skating world exist, the person in question is not a practitioner and sees value in friendly collaboration should opportunities arise.
On social media, a mutual follow with a skater was noted, though the relationship is casual and not deeply explored. If a chance to learn from a master class arose, it would be welcomed with enthusiasm, provided it is approached in a balanced way that respects commitments and health.
Philanthropy remains part of the persona. A portion of earnings is allocated to charitable causes, with a focus on supporting animal shelters by providing medicines and pet food. The donor’s mother handles administrative tasks, while the actor concentrates on creative work, sharing the initiative with audiences through public channels and personal networks.