In the Baby Tour segment, Gelya is portrayed as a mother of many, a responsible and prudent figure who stands out next to her friends. What kind of Gel does the viewer see through the actor’s lens?
The performer shares that Gelya comes across as dependable—she is a wife and a mother, grounded in practical concerns. She chooses adventure only after others have spoken up, living by the idea that if something is going to change, it should begin with her. She also questions her own circumstances, especially in how her husband behaves, which adds a layer of realism to her character.
When asked whether the project’s creators succeeded in presenting women as funny without diminishing them, the actor notes that while the entire series isn’t visible yet, there is a hope that the characters feel like real people with their own aspirations, questions about life, and the obstacles they face in pursuing their dreams. The aim is to show women with depth and humanity, not one-dimensional exaggerations.
The discussion then turns to whether the storyline could translate to women from other countries or even to men. The actor believes the premise is not about nationality but about shared experiences and opinions. The idea of seeking a better life abroad became popular in the 2000s, and societies around the world have their own fashions and debates about where and how to live more freely.
The conversation also touches the harsher realities faced by the characters: monotonous work on a Siberian poultry farm, relationships that lack love, and the kindness that arises from the close bond among the heroines. There is a belief that a person is not a warrior merely on the battlefield; the struggle can be intimate and personal, fought in everyday moments.
From the outset, the viewer will interpret a message that resonates differently for each person. For the actor, kindness is best found in humane and respectful interactions, especially under pressure. The core idea is that treating others with humanity remains the most important value, no matter the circumstances.
On the topic of mood on set, the cast enjoyed a supportive atmosphere in which colleagues backed one another through challenges. The hardest part of filming was the weather. Cold days required thermal undergarments, warm insoles, and a careful selection of wardrobe to reflect a summer arrival—but the scenes were shot in late autumn. Comfort mattered, and the chill made some moments tougher than expected.
A lighthearted memory from production comes from a bar in Kitai-Gorod, Moscow. The crew moved from wagons to the shooting site wearing fake baby bumps and was mistaken for real pregnant women by passersby. It was a funny, endearing moment that stuck with the team.
Regarding acting ambitions, the performer notes a range of roles, from comedy to drama and lyrical parts. The aspiration is to keep expanding the repertoire and to explore new facets of the craft, even as the current roles feel substantial and varied. The idea of playing a superhero is briefly entertained, with Superwoman named as an appealing possibility, though the actor admits a lack of extensive knowledge about comic book universes.
When choosing projects, both script and director matter, but if a script fails to engage or the subject fails to connect, a project may be declined. Experience suggests that a strong director who has earned trust can elevate even a familiar premise, though the ultimate choice hinges on whether the story mirrors the actor’s own interests and the character’s fit.
The upcoming film First Summer brings together a largely new crew. The producer and director invited the actor to participate, and she accepted to portray the protagonist’s mother. Filming in St. Petersburg happened quickly and amicably, with a sense of collaboration that made working with young, talented newcomers enjoyable and valuable. The actor believes that fresh talents today can become tomorrow’s big names, an outlook that feels hopeful and encouraging.
There is a belief that today’s youths are freer and more proactive than in the past. Faster communication through social networks accelerates progress, and the general feeling is that today’s generation can keep pace with industry changes more readily. The only guidance offered is to stay true to oneself and pursue opportunities without hesitation.
Regarding theater work, the actor notes that there is currently no pressing need to return to stage acting, though opportunities could change if interesting projects arise. A shift in personal interests has also influenced these plans.
Dubbing work, less common lately, is described as a distinct craft that relies on the vocal instrument and timing. It remains an intriguing field, even as fewer foreign films reach the box office. The process demands quick reactions and nuanced vocal control, and it has always provided engaging, enjoyable challenges.
As for watching films, the performer often prefers subtitled originals to capture authentic performances, though high-quality dubbing can be a viable alternative. When lending her own voice for dubbing, she strives to preserve the original emotional tone and convey the essence of the character as faithfully as possible.
Noting past experiences with audio peculiarities, the actor says she has grown accustomed to them, even if they once felt unusual. The continuation of Brothers is described as a new phase in the lives of the characters, presenting fresh trials, opportunities, and relationships. Her character, Masha, will search for a clearer sense of self, while love and friendship will encounter new tests. The role remains vibrant, and the forthcoming season promises greater energy and momentum.
Cited sources for this interview provide context on the actor’s perspectives and experiences across different projects . These remarks offer insight into how a performer navigates varied genres, collaborations, and evolving industry dynamics.